{"id":4227,"date":"2016-07-07T13:23:43","date_gmt":"2016-07-07T11:23:43","guid":{"rendered":"https:\/\/monitoring.patlevic.sk\/?p=4227"},"modified":"2023-01-27T09:48:49","modified_gmt":"2023-01-27T08:48:49","slug":"skupova-plzen-alternativne-miestami-babkovo","status":"publish","type":"post","link":"https:\/\/monitoring.patlevic.sk\/?p=4227","title":{"rendered":"Skupova Plze\u0148 \u2013 alternat\u00edvne, miestami b\u00e1bkovo"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#e2e2e2;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><div class=\"news-text-wrap\">\n<p><em>Bien\u00e1le b\u00e1bkov\u00e9ho a\u00a0alternat\u00edvneho divadla Skupova Plze\u0148 o\u010dar\u00ed svojou ve\u013ekorysos\u0165ou, po\u010detnos\u0165ou zahrani\u010dn\u00fdch pozorovate\u013eov, kultivovan\u00fdmi priestormi dom\u00e1ceho Divadla Alfa, ale aj industri\u00e1lnymi objektmi preroben\u00fdmi na kult\u00farne centr\u00e1, v ktor\u00fdch sa odohr\u00e1va \u010das\u0165 festivalov\u00e9ho programu. K\u00a0plusom podujatia tento rok patril aj jeho otv\u00e1rac\u00ed ceremoni\u00e1l. Na obdobn\u00fdch prehliadkach s\u00fa form\u00e1lne pr\u00edhovory nezorientovan\u00fdch predstavite\u013eov samospr\u00e1v vy\u010derp\u00e1vaj\u00face pre obe strany. Plzensk\u00e9 v\u00edtanie viedol riadite\u013e festivalu a\u00a0Divadla Alfa Jakub Hora. Odet\u00fd bol do klaunsk\u00e9ho oble\u010denia \u2013 rovnak\u00e9ho ako na obr\u00e1zku, ktor\u00fd sa stal hlavn\u00fdm mot\u00edvom vizu\u00e1lu tohto ro\u010dn\u00edka.<\/em><\/p>\n<\/div>\n<div id=\"c255\">\n<h3 class=\"first-headline\">Dospel\u00fdm<\/h3>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-4227 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a data-rel=\"iLightbox[postimages]\" data-title=\"Hygiena krve Divadlo L\u00ed\u0161e\u0148 Brno\" data-caption=\"Divadlo L\u00ed\u0161e\u0148 Brno\" href='https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen1_DSC8700_9a84c52153.jpg'><img decoding=\"async\" width=\"200\" height=\"300\" src=\"https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen1_DSC8700_9a84c52153-200x300.jpg\" class=\"attachment-medium size-medium lazyload\" alt=\"\" aria-describedby=\"gallery-1-4568\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27570%27%20height%3D%27855%27%20viewBox%3D%270%200%20570%20855%27%3E%3Crect%20width%3D%27570%27%20height%3D%27855%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen1_DSC8700_9a84c52153-200x300.jpg\" data-srcset=\"https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen1_DSC8700_9a84c52153-200x300.jpg 200w, https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen1_DSC8700_9a84c52153-400x600.jpg 400w, https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen1_DSC8700_9a84c52153.jpg 570w\" data-sizes=\"auto\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-4568'>\n\t\t\t\tDivadlo L\u00ed\u0161e\u0148 Brno\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<div class=\"image-intext-right image-intext\">\n<div class=\"image-wrap\">Z p\u00e4tn\u00e1stich s\u00fa\u0165a\u017en\u00fdch inscen\u00e1ci\u00ed hlavn\u00e9ho programu sa hne\u010f dve in\u0161pirovali filmom, jeho dejinami, filmov\u00fdmi postupmi, \u017e\u00e1nrami a ich parodiz\u00e1ciou. Inscen\u00e1cia\u00a0<em>Biograf<\/em>\u00a0s\u00faboru Cirk La Putyka Praha v\u0161ak z\u00a0tohto \u017eriedla vy\u0165a\u017eila len m\u00e1lo. Re\u017eis\u00e9r Marek Z\u00e1kosteleck\u00fd sa sna\u017eil v\u00a0inscen\u00e1cii navodi\u0165 atmosf\u00e9ru star\u00fdch k\u00edn. Premieta\u010d deklaroval, \u017ee jeho kamar\u00e1ti s\u00fa ukryt\u00ed vo filmovom kot\u00fa\u010di, pustil ho a\u00a0n\u00e1sledne komunikoval s\u00a0premietan\u00fdm obrazom (nem\u00fdm filmom) a\u00a0vstupoval do\u0148.\u00a0<em>Biograf<\/em>\u00a0vyznel povrchnej\u0161ie aj preto, \u017ee vo festivalom programe nasledoval a\u017e po inscen\u00e1cii\u00a0<em>Filmmake\u0159i<\/em>\u00a0Mal\u00e9ho divadla z\u00a0\u010cesk\u00fdch Bud\u011bjov\u00edc. Tvoriv\u00e9mu t\u00edmu pod veden\u00edm\u00a0re\u017eis\u00e9ra Janka Les\u00e1ka sa podarilo t\u00e9my zhosti\u0165 podstatne n\u00e1paditej\u0161ie. Mimoriadne presne parodovali nem\u00fd film, horor, western, vojnov\u00fd film, sitkom aj\u00a0sci-fi. Z\u00e1rove\u0148 zobrazovali proces vzniku filmu, priamo na sc\u00e9ne sa pohyboval zvuk\u00e1r a\u00a0mask\u00e9rka. Inscen\u00e1ciu pozdvihli aj na\u017eivo pripravovan\u00e9 ruchy a\u00a0anim\u00e1cie, ktor\u00e9 premietan\u00e9 na pozad\u00ed navodzovali prostredie, v\u00a0ktorom sa dej pr\u00e1ve odohr\u00e1val. Jednotliv\u00e9 \u201efilmy\u201c dop\u013a\u0148ali charakteristick\u00e9 rekvizity (bar v\u00a0sal\u00f3ne, vrecia na okraji vojnov\u00fdch z\u00e1kopov a\u00a0pod.).\u00a0 Autorom sc\u00e9ny bol Kamil B\u011blohl\u00e1vek, ktor\u00fd vytvoril sc\u00e9nografiu aj k inscen\u00e1cii\u00a0<em>Spadla klec alebo Prvn\u00ed p\u0159\u00edpad podporu\u010d\u00edka Vit\u00e1ska<\/em>\u00a0plzensk\u00e9ho Divadla Alfa. Tu v\u0161ak ide o\u00a0absol\u00fatne odli\u0161n\u00fa poetiku. V\u00fdprava in\u0161pirovan\u00e1 komiksom obsahuje plo\u0161n\u00e9 papierov\u00e9 n\u00e1pisy, pohr\u00e1va sa s\u00a0perspekt\u00edvou \u2013 uhlom poh\u013eadu na pr\u00e1ve prebiehaj\u00facu situ\u00e1ciu.<\/div>\n<div class=\"text\">\n<p>Inscen\u00e1cia dom\u00e1ceho divadla z\u00e1rove\u0148 patrila k\u00a0tomu najtradi\u010dnej\u0161iemu, \u010do sa na festivale dalo vidie\u0165. Pr\u00edbeh Tom\u00e1\u0161a Jarkovsk\u00e9ho a\u00a0Jakuba Va\u0161\u00ed\u010dka je o mladom podporu\u010d\u00edkovi, ktor\u00fd vyrie\u0161il pr\u00edpad ukradnut\u00e9ho receptu na pivo z\u00a0plzensk\u00e9ho pivovaru. Podan\u00fd je princ\u00edpom divadla v\u00a0divadle \u2013 tento vesel\u00fd detekt\u00edvny pr\u00edbeh, ktor\u00fd sa odohr\u00e1va v\u00a070. rokoch minul\u00e9ho storo\u010dia, na\u0161tudovali trestanci z miestnej v\u00e4znice. V\u00a0konkurencii viac \u010di menej nov\u00e1torsk\u00fdch experimentov vyznela inscen\u00e1cia konven\u010dne. Na festivalovej atrakt\u00edvnosti jej nepridala ani pr\u00e1ca s\u00a0lok\u00e1lnymi re\u00e1liami. Na druhej strane v\u0161ak spolu s\u00a0nes\u00fa\u0165a\u017en\u00fdmi ma\u0148u\u0161kov\u00fdmi inscen\u00e1ciami\u00a0<em>T\u0159i mu\u0161ket\u00fd\u0159i<\/em>\u00a0a\u00a0<em>Cha cha cha aneb Charlie Chaplin a\u00a0jin\u00e1 ch\u00e1ska<\/em>\u00a0uk\u00e1zali tvorcovia z\u00a0Alfy tradi\u010dn\u00fa, anim\u00e1torsky poctiv\u00fa a\u00a0st\u00e1le fascinuj\u00facu tv\u00e1r b\u00e1bkov\u00e9ho divadla.<\/p>\n<p>K\u00a0t\u00fdm, ktor\u00ed robia modern\u00e9 divadlo a\u00a0pritom nezanevreli na b\u00e1bky, patr\u00ed pra\u017esk\u00fd s\u00fabor Buchty a\u00a0loutky.\u00a0<em>Don \u0160ajn<\/em>\u00a0nevybo\u010doval z\u00a0ich rokmi sformovanej jedine\u010dnej poetiky. Marionetov\u00e1 inscen\u00e1cia neobsahuje n\u00e1siln\u00e9 aktualiz\u00e1cie, pr\u00edbeh zvodcu, ktor\u00fd hr\u00e1vali u\u017e tradi\u010dn\u00ed ko\u010dovn\u00ed b\u00e1bkari, v\u0161ak pon\u00faka tak, \u017ee je zauj\u00edmav\u00fd aj pre s\u00fa\u010dasn\u00e9ho div\u00e1ka \u2013 je podan\u00fd s\u00a0\u013eahkos\u0165ou, humorom, anim\u00e1torskou zru\u010dnos\u0165ou a\u00a0s priznanou divadelnos\u0165ou.<\/p>\n<p>Jedin\u00fa anga\u017eovan\u00fa inscen\u00e1ciu vo festivalovom programe pon\u00fakol brniansky s\u00fabor L\u00ed\u0161e\u0148. V\u00a0<em>Hygiene krvi<\/em>\u00a0tvorcovia na \u010dele s\u00a0re\u017eis\u00e9rkou Pavlou Dombrovskou reaguj\u00fa na zvy\u0161uj\u00facu sa radikaliz\u00e1ciu spolo\u010dnosti i\u00a0rasistick\u00e9 prejavy a\u00a0vracaj\u00fa sa k\u00a0t\u00e9me holokaustu. V\u00a0inscen\u00e1cii poskladali mozaiku z\u00a0dobov\u00fdch dokumentov, zaznamenan\u00fdch \u017eivotn\u00fdch pr\u00edbehov, prejavov nacistick\u00fdch vodcov, aj z \u00faryvkov zo s\u00fa\u010dasn\u00fdch webov\u00fdch str\u00e1nok radik\u00e1lov. Vytvorili tak hroziv\u00fa spomienku na dobu, kedy bola spolo\u010dnos\u0165 ochotn\u00e1 uveri\u0165, \u017ee \u201enie ka\u017ed\u00e9 \u013eudsk\u00e9 stvorenie je skuto\u010dne \u010dlovekom\u201c a\u00a0vodcovia ur\u010dovali, kto s\u00a0k\u00fdm m\u00f4\u017ee plodi\u0165 deti, aby bola dodr\u017ean\u00e1 \u201ehygiena krvi\u201c a\u00a0budoval sa kvalitn\u00fd genofond spr\u00e1vnej rasy. Inscen\u00e1cia je vo v\u00fdpovedi pr\u00edli\u0161 explicitn\u00e1, m\u00e1 v\u0161ak v\u00a0ponuke s\u00fa\u010dasnej b\u00e1bkarskej tvorby opodstatnen\u00e9 miesto. Jej prednos\u0165ou je aj v\u00fdtvarn\u00e1 str\u00e1nka, ktorej autormi s\u00fa Lud\u011bk V\u00e9mola a\u00a0Iveta Kalouskov\u00e1. Objekty s\u00fa vytvoren\u00e9 zo \u0161rotu, hlavn\u00fdm prvkom je hrdzav\u00fd f\u00farik, ktor\u00fd men\u00ed svoje funkcie a\u00a0v\u00a0kombin\u00e1cii s\u00a0maskou tv\u00e1re vyskladanou z\u00a0k\u00faskov \u017eeleza pripom\u00edna \u013eudsk\u00fa bytos\u0165.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"c256\">\n<h3>Atmosf\u00e9ra a zrozumite\u013enos\u0165<\/h3>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-4227 gallery-columns-2 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a data-rel=\"iLightbox[postimages]\" data-title=\"Don \u0160ajn Buchty a Loutky Praha\" data-caption=\"Buchty a Loutky Praha\" href='https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen3_DSC8306_cf00f3b139.jpg'><img decoding=\"async\" width=\"570\" height=\"380\" src=\"https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen3_DSC8306_cf00f3b139.jpg\" class=\"attachment-full size-full lazyload\" alt=\"\" aria-describedby=\"gallery-2-4569\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27570%27%20height%3D%27380%27%20viewBox%3D%270%200%20570%20380%27%3E%3Crect%20width%3D%27570%27%20height%3D%27380%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen3_DSC8306_cf00f3b139.jpg\" data-srcset=\"https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen3_DSC8306_cf00f3b139-200x133.jpg 200w, https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen3_DSC8306_cf00f3b139-300x200.jpg 300w, https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen3_DSC8306_cf00f3b139-400x267.jpg 400w, https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen3_DSC8306_cf00f3b139.jpg 570w\" data-sizes=\"auto\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-4569'>\n\t\t\t\tBuchty a Loutky Praha\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<div class=\"image-intext-right image-intext\">\n<div class=\"image-wrap\">Viacer\u00e9 inscen\u00e1cie sp\u00e1jala (nie v\u017edy \u00faspe\u0161n\u00e1) snaha o vybudovanie strhuj\u00facej atmosf\u00e9ry a o pr\u00e1cu s nap\u00e4t\u00edm. Problematick\u00e1 bola \u010dasto aj ich zrozumite\u013enos\u0165 \u2013 schopnos\u0165 diela komunikova\u0165 s div\u00e1kmi a pr\u00edbuznos\u0165 s b\u00e1bkov\u00fdm divadlom.<\/div>\n<div class=\"text\">\n<p>Here\u010dka Daniela \u0160i\u0161kov\u00e1 a\u00a0re\u017eis\u00e9r Bra\u0148o Maz\u00fach, tvorcovia inscen\u00e1cie\u00a0<em>Sta\u0159ec, mo\u0159e a\u00a0d\u00edvka\u00a0<\/em>zo Z\u00e1pado\u010desk\u00e9ho divadla v\u00a0Chebe, nap\u00edsali text in\u0161pirovan\u00fd Hemingwayovou novelou. Kontempluj\u00fa v \u0148om o\u00a0starobe a\u00a0mladosti, o odhodlan\u00ed a\u00a0sile mora. V\u00a0sc\u00e9nickom stv\u00e1rnen\u00ed pou\u017eili konven\u010dn\u00e9 prvky ako odkaz vo f\u013ea\u0161i, ryb\u00e1rske siete, igelit predstavuj\u00faci vodu, ale i\u00a0re\u00e1lnu\u00a0vodu stekaj\u00facu na nah\u00fa here\u010dku. Zauj\u00edmav\u00e1 t\u00e9ma sa tak na javisku zmenila na v\u00fdstupy lav\u00edruj\u00face na hrane g\u00fd\u010du (napr\u00edklad n\u00e1pis La mar na chrbte here\u010dky v\u00a0z\u00e1vere), predv\u00eddate\u013enosti a\u00a0nudy. Monodramatick\u00fdm v\u00fdstupom, v\u00a0ktor\u00fdch sa odr\u00e1\u017eala pr\u00e1ca s\u00a0postupmi performancie, ch\u00fdbala gr\u00e1cia, vyznievali potom form\u00e1lne a\u00a0nepatri\u010dne. Inscen\u00e1torom sa nepodarilo dosiahnu\u0165 nap\u00e4tie a vyvola\u0165 div\u00e1cku zvedavos\u0165.<\/p>\n<p>Vybudova\u0165 podma\u0148uj\u00facu atmosf\u00e9ru nedok\u00e1zal ani s\u00fabor Geisslers Hofcomoedianten, ktor\u00fd pracoval so zauj\u00edmavou predlohou \u2013 lu\u017eickosrbskou legendou o\u00a0majstrovi \u010diernej m\u00e1gie. Hlavn\u00fdm v\u00fdtvarn\u00fdm prvkom komornej inscen\u00e1cie\u00a0<em>J\u00e1 jsem Krabat<\/em>\u00a0je sp\u00e4tn\u00fd projektor (tzv. meotar), s\u00a0ktor\u00fdm herec stv\u00e1r\u0148uj\u00faci \u010darodejn\u00edckeho majstra priznane pracuje. Re\u017eis\u00e9r Jakub Maksymov umne vyrie\u0161il zobrazovanie v\u0161etk\u00fdch post\u00e1v, traja herci to zvl\u00e1dli s\u00a0pou\u017eit\u00edm projektora a\u00a0tie\u0148ohry. Inscen\u00e1cia mala dobr\u00fd z\u00e1klad, no predstavenie bolo ist\u00fdm sp\u00f4sobom nemotorn\u00e9. Ru\u0161ili ho neist\u00e9 pohyby pri ukladan\u00ed obr\u00e1zkov na projektor, z\u00e1suvka, ktor\u00e1 sa nechcene zasek\u00e1vala, ale aj prive\u013ek\u00e1 mo\u017enos\u0165 na improvizovanie. Ch\u00fdbalo presn\u00e9 \u010dasovanie, detailnos\u0165 a\u00a0prec\u00edznos\u0165.<\/p>\n<p>Strhuj\u00face nap\u00e4tie vybudoval s\u00fabor Handa Gote Research &amp; Development po\u010das predstavenia\u00a0<em>Erben: Sny<\/em>. In\u0161pirovan\u00ed kr\u00e1tkym textom Jarom\u00edra Erbena zobrazili odkazy na \u013eudov\u00e9 trad\u00edcie a vo v\u00fdstupoch var\u00edrovali asoci\u00e1cie na obdobie romantizmu. Tvorcovia vynikaj\u00faco pracovali s\u00a0obradnos\u0165ou, atmosf\u00e9rou, nap\u00e4t\u00edm a\u00a0hudobnos\u0165ou. Obradnos\u0165 evokovali napr\u00edklad drev\u00e1ky, ktor\u00e9 ozvu\u010dovali ka\u017ed\u00fd krok hercov \u010di \u0161\u00fapanie na javisku uvaren\u00e9ho hor\u00faceho zemiaku.<\/p>\n<p>Obradn\u00e9 a\u00a0atmosf\u00e9rou elektrizuj\u00face bolo i predstavenie\u00a0<em>La Loba<\/em>\u00a0skupiny Lenka Vagnerov\u00e1 &amp; company. Pod\u013ea star\u00fdch m\u00fdtov je La Loba vl\u010dia \u017eena zbieraj\u00faca kosti. Bytosti, ktor\u00e9 z\u00a0nich zlo\u017e\u00ed, potom dok\u00e1\u017ee o\u017eivi\u0165. Od svojej premi\u00e9ry v\u00a0roku 2013 si tane\u010dn\u00e1 inscen\u00e1cia vysl\u00fa\u017eila mno\u017estvo chv\u00e1l a\u00a0ocenen\u00ed. Na festivale sa dielo sa pribli\u017eovalo sk\u00f4r kateg\u00f3rii alternat\u00edvneho divadla, ktor\u00fa Skupova Plze\u0148 prijala v\u00a0roku 2010 aj do svojho podtitulu.<\/p>\n<p><em>Pir\u00e1t a\u00a0lek\u00e1rnik<\/em>\u00a0zoskupenia Wariot Ideal patril tie\u017e k\u00a0tvorbe vzdialenej od b\u00e1bkov\u00e9ho divadla. Os diela tvoril pr\u00edbeh o\u00a0chlapcoch \u2013 dvoj\u010dat\u00e1ch, z\u00a0ktor\u00fdch jeden sa stal klam\u00e1rom (lek\u00e1rnikom) a\u00a0druh\u00fd hrdlorezom (pir\u00e1tom). Na t\u00fato os sa v\u0161ak bezbreho naba\u013eovali v\u00fdstupy troch \u00fa\u010dinkuj\u00facich, ktor\u00ed s\u00faperili o\u00a0miesto na javisku. Ide tu o\u00a0absol\u00fatnu dekompoz\u00edciu, ktor\u00e1 nem\u00e1 pravidl\u00e1. To v\u0161etko s\u00a0v\u00fdraznou a\u00a0bohatou v\u00fdtvarnou zlo\u017ekou. Tvorcovia pou\u017e\u00edvali rekvizity od modern\u00e9ho projektoru po p\u00fa\u0165ov\u00fd kovov\u00fd silomer, na ktor\u00fd po\u010das predstavenia (trvaj\u00faceho viac ako hodinu) nespo\u010detnekr\u00e1t udreli kladivom. Je len na div\u00e1kovi, ko\u013eko si toho od zoskupenia nech\u00e1 \u201enalo\u017ei\u0165\u201c. Na plzenskej repr\u00edze viacer\u00ed opustili h\u013eadisko dlho pred koncom predstavenia.<\/p>\n<p>Ot\u00e1zky o\u00a0spom\u00ednan\u00fdch inscen\u00e1ci\u00e1ch si kl\u00e1dla aj porota. Jej predseda Karel Makonj v\u00a0z\u00e1vere\u010dnom vyhl\u00e1sen\u00ed predniesol: \u201eJakkoli je d\u016fle\u017eit\u00e1 pro v\u00fdvoj divadeln\u00edho um\u011bn\u00ed ot\u00e1zka vztahu hledi\u0161t\u011b a jevi\u0161t\u011b, a tedy i ot\u00e1zka spole\u010densk\u00e9 funkce divadla, stejn\u011b tak je t\u0159eba se pt\u00e1t na je\u0161t\u011b praz\u00e1kladn\u011bj\u0161\u00ed ot\u00e1zku: Co je v\u016fbec je\u0161t\u011b divadeln\u00ed um\u011bn\u00ed? Je j\u00edm i inscenovan\u00e1 didaktick\u00e1 p\u0159edn\u00e1\u0161ka nebo uk\u00e1zka v\u00fdchovn\u00e9ho koncertu na stran\u011b jedn\u00e9 \u010di konceptu\u00e1ln\u00ed projekt soust\u0159ed\u011bn\u00fd sp\u00ed\u0161e a\u017e p\u0159\u00edli\u0161 s\u00e1m do sebe? Neodpov\u00edd\u00e1me, sp\u00ed\u0161e se pt\u00e1me\u2026 Odpov\u011bdi a\u0165 hled\u00e1 ka\u017ed\u00fd s\u00e1m u sebe\u2026\u201c<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"c257\">\n<h3>De\u0165om<\/h3>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-4227 gallery-columns-2 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a data-rel=\"iLightbox[postimages]\" data-title=\"Mami, u\u017e tam budem? Divadlo Minor Praha\" data-caption=\"Divadlo Minor Praha\" href='https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen2_DSC8276_748bf7d091.jpg'><img decoding=\"async\" width=\"570\" height=\"380\" src=\"https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen2_DSC8276_748bf7d091.jpg\" class=\"attachment-full size-full lazyload\" alt=\"\" aria-describedby=\"gallery-3-4570\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27570%27%20height%3D%27380%27%20viewBox%3D%270%200%20570%20380%27%3E%3Crect%20width%3D%27570%27%20height%3D%27380%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen2_DSC8276_748bf7d091.jpg\" data-srcset=\"https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen2_DSC8276_748bf7d091-200x133.jpg 200w, https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen2_DSC8276_748bf7d091-300x200.jpg 300w, https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen2_DSC8276_748bf7d091-400x267.jpg 400w, https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2016\/07\/csm_plzen2_DSC8276_748bf7d091.jpg 570w\" data-sizes=\"auto\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-4570'>\n\t\t\t\tDivadlo Minor Praha\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<div class=\"image-intext-right image-intext\">\n<div class=\"text\">\n<p>B\u00e1bky nedominovali ani inscen\u00e1ci\u00e1m pre deti. Ak ich v\u0161ak tvorcovia pou\u017eili, vy\u0165a\u017eili z ich mo\u017enost\u00ed efektn\u00fd v\u00fdsledok.\u00a0<em>Pern\u00edkov\u00e1 chaloupka<\/em>\u00a0z\u00a0produkcie Studia DAM\u00daZA uk\u00e1zala, ako m\u00f4\u017ee by\u0165 aj chronicky zn\u00e1ma rozpr\u00e1vka spracovan\u00e1 inven\u010dne. Autor sc\u00e9ny (a z\u00e1rove\u0148 i textu) Kamil B\u011blohl\u00e1vek vytvoril multifunk\u010dn\u00fd voz\u00edk \u2013 trochu ako zmrzlin\u00e1rsky, trochu ako od \u0161melin\u00e1ra. Mal viacero vykl\u00e1pac\u00edch plo\u0161iniek, predstavoval pec na pe\u010denie medovn\u00edkov aj priestor pre hru s b\u00e1bkami. \u201eOnewomanshow\u201c Miroslavy B\u011blohl\u00e1vkovej mala sp\u00e1d, humor aj p\u00f4vab. Zauj\u00edmav\u00fd na tejto interpret\u00e1cii je z\u00e1ver, v\u00a0ktorom sa deti nevr\u00e1tia k\u00a0otcovi. Dozved\u00e1me sa len, \u017ee Marienka pe\u010die pern\u00edky (pod\u013ea receptu Je\u017eibaby) a\u00a0Janko hr\u00e1 na gitaru. T\u00fdm vznik\u00e1 premostenie k\u00a0muzikantovi, ktor\u00fd je cel\u00fd \u010das pr\u00edtomn\u00fd na sc\u00e9ne a\u00a0hudobne sprev\u00e1dza here\u010dku.<\/p>\n<p>Pra\u017esk\u00e9 Divadlo Minor uviedlo na festivale inscen\u00e1ciu\u00a0<em>Mami, u\u017e tam budem?<\/em>\u00a0Man\u017eelsk\u00fd p\u00e1r, ktor\u00fd uviazol v\u00a0dopravnej z\u00e1pche, spom\u00edna, ako kedysi svojim de\u0165om kr\u00e1til dlh\u00e9 cesty autom. Dozved\u00e1me sa o\u00a0rozpr\u00e1vkach in\u0161pirovan\u00fdch \u010das\u0165ami motorov\u00e9ho vozidla \u2013 stiera\u010dmi \u010di hmlov\u00fdmi svetlami. Z\u00a0jednoduchej makety auta (autorkou v\u00fdpravy je B\u00e1ra \u010cechov\u00e1) sa vyk\u013euje multifunk\u010dn\u00fd priestor, v\u00a0ktorom je ukryt\u00fdch mno\u017estvo b\u00e1bkarsk\u00fdch f\u00edg\u013eov. Inscen\u00e1cia zaujala t\u00e9mou i\u00a0bezprostredn\u00fdm herectvom Lenky Volfovej a\u00a0Ji\u0159\u00edho Jel\u00ednka, ktor\u00fd je aj autorom textu a\u00a0re\u017eis\u00e9rom diela.<\/p>\n<p>Auto dominovalo aj sc\u00e9nografii inscen\u00e1cie\u00a0<em>Kapela jede! aneb nen\u00ed pecka jako pecka<\/em>\u00a0z\u00a0Naivn\u00e9ho divadla v Liberci. A\u00a0hoci inscen\u00e1tori (re\u017eis\u00e9rka Michaela Homolov\u00e1 a\u00a0sc\u00e9nograf Robert Smol\u00edk) pou\u017eili aj b\u00e1bky, dominantn\u00fdm bol \u010dinohern\u00fd prejav. Text V\u00edta Pe\u0159inu pracuje s\u00a0homonymami. Kapela vyr\u00e1\u017ea na turn\u00e9, no nem\u00e1 hotov\u00e9 texty k\u00a0pies\u0148am. Postupne vznikn\u00fa songy o\u00a0koh\u00fatiku \u2013 koh\u00fatikovi, o\u00a0l\u00f3se \u2013 losovi a\u00a0podobne. Inscen\u00e1cia m\u00e1 vtip a pon\u00faka nevtierav\u00e9 vzdel\u00e1vanie v\u00a0oblasti \u010desk\u00e9ho jazyka, no konceptom je \u0165a\u017ekop\u00e1dna. Pr\u00ed\u010dinou je zrejme \u0161trukt\u00fara dial\u00f3g \u2013 piese\u0148 \u2013 dial\u00f3g \u2013 piese\u0148, ktor\u00e1 je pr\u00edli\u0161 zv\u00e4zuj\u00faca.<\/p>\n<p>V\u00edt Pe\u0159ina je aj autorom textu\u00a0<em>Hodina Komensk\u00e9ho aneb \u017divot J. A. K. trochu jinak<\/em>. Hra nesk\u00fama \u017eivot a\u00a0dielo v\u00fdznamnej eur\u00f3pskej osobnosti podrobne \u010di nejakou \u0161peci\u00e1lnou optikou. Komensk\u00fd v nej ost\u00e1va ikonou bez \u013eudsk\u00e9ho rozmeru. To v\u0161ak bol pravdepodobne z\u00e1mer, najm\u00e4 vzh\u013eadom na adres\u00e1ta (deti od \u00f4smich rokov): pon\u00faknu\u0165 formou divadla z\u00e1kladn\u00e9 fakty. Zop\u00e1r \u017eiakov so slab\u00fdm prospechom a\u00a0jeden premotivovan\u00fd \u201ebif\u013eo\u0161\u201c sa stretn\u00fa \u201epo \u0161kole\u201c, kde im u\u010dite\u013e rozpr\u00e1va fakty o\u00a0Komenskom \u2013 os jeho \u017eivotopisu, dielo a\u00a0posolstvo filozofie schola ludus. Inscen\u00e1cia Martina Tich\u00e9ho v\u00a0Divadle loutek v Ostrave pon\u00faka mo\u017enos\u0165 za\u017ei\u0165 \u0161kolu hrou \u2013 nau\u010di\u0165 sa nie\u010do z\u00a0hist\u00f3rie priamo po\u010das divadeln\u00e9ho predstavenia.<\/p>\n<p>\u0160tvrtou festivalovou inscen\u00e1ciou, ktorej v\u00fdpravu navrhol v\u00fdtvarn\u00edk Kamil B\u011blohl\u00e1vek, bolo dielo\u00a0<em>O\u00a0b\u00edl\u00e9 lani<\/em>\u00a0Divadla Drak z\u00a0mesta Hradec Kr\u00e1lov\u00e9. Opl\u00fdvalo rovnako silnou hudobnos\u0165ou ako v\u00e4\u010d\u0161ina tvorby tohto divadla. V\u00a0tomto pr\u00edpade je dokonca na javisku priznan\u00fd orchester. V\u00fdtvarne vysoko estetizovan\u00e1 inscen\u00e1cia sa odohr\u00e1va v\u00a0loveckom sal\u00f3ne, \u010d\u00edm kore\u0161ponduje s\u00a0fabulou hry o\u00a0diev\u010dati, ktor\u00e9 sa pod vplyvom kliatby premen\u00ed na la\u0148 a\u00a0lovec ju zastrel\u00ed. O\u017eiv\u00ed ju v\u0161ak jeho bozk a\u00a0nasleduje svadba. Je evidentn\u00e9, \u017ee re\u017eis\u00e9r Jakub Va\u0161\u00ed\u010dek mal jasn\u00fd z\u00e1mer a\u00a0inscen\u00e1ciu pevne v\u00a0ruk\u00e1ch, no v\u00fdsledok je mo\u017en\u00e9 pripodobni\u0165 k\u00a0form\u00e1lnemu a\u00a0chladn\u00e9mu variet\u00e9. Evokuje ho stepersk\u00e9 \u010d\u00edslo lek\u00e1ra \u010di\u00a0v\u00fdstup dvorn\u00fdch zab\u00e1va\u010dov.<\/p>\n<h3>Slovensk\u00e1 vzorka<\/h3>\n<p>Okrem inscen\u00e1ci\u00ed \u010desk\u00fdch divadiel dotv\u00e1rala program festivalu aj zahrani\u010dn\u00e1 tvorba. Zo Slovenska vybrala dramaturgick\u00e1 rada nez\u00e1visl\u00e9 s\u00fabory \u2013 banskobystrick\u00e9 Odivo (<em>L\u00e1ska P a\u00a0v\u00e1\u0161e\u0148 B)<\/em>, divadlo Tyj\u00e1tr z\u00a0Nitry (<em>Don \u0160ajn alebo M\u00e1rnotratn\u00fd syn)<\/em>\u00a0a\u00a0n\u00e1v\u0161tevn\u00edci, ktor\u00ed zotrvali a\u017e do konca festivalu, mohli ako predposledn\u00e9 predstavenie vidie\u0165\u00a0<em>Kr\u00e1su a\u00a0hnus<\/em>\u00a0zoskupenia Med a\u00a0prach. Slovensk\u00fa tvorbu zastupovala aj inscen\u00e1cia\u00a0<em>M\u00far<\/em>\u00a0Katedry b\u00e1bkarskej tvorby DF V\u0160MU. A hoci \u0161lo o\u00a0nes\u00fa\u0165a\u017en\u00fd program, porota festivalu sa rozhodla udeli\u0165 jednu z\u00a0cien pr\u00e1ve tomuto dielu \u2013 Zvl\u00e1\u0161tnu cenu poroty Katar\u00edne Aulitisovej a Mark\u00e9te Plachej za in\u0161pirat\u00edvne pedagogick\u00e9 vedenie inscena\u010dn\u00e9ho projektu.<\/p>\n<h3>B\u00e1bky a alternat\u00edvy<\/h3>\n<p>Skupova Plze\u0148 2016 uk\u00e1zala, \u017ee ani tvorcovia z\u00a0krajiny, v ktorej m\u00e1 b\u00e1bkov\u00e9 divadlo tak\u00e9 siln\u00e9 podhubie, ned\u00f4veruj\u00fa b\u00e1bkam bezv\u00fdhradne. V\u00fdrazn\u00fd priestor dostali projekty z oblasti alternat\u00edvneho divadla. Prekvapiv\u00e9 v\u0161ak je, \u017ee v\u00a0pohnutej, geopoliticky nap\u00e4tej dobe, v\u00a0ktorej s\u00fa na dennom poriadku kauzy otv\u00e1raj\u00face t\u00e9my \u013eudsk\u00fdch pr\u00e1v, (pseudo) vlastenectva, politickej kult\u00fary, t\u00e9my kon\u0161pir\u00e1ci\u00ed, medi\u00e1lnej manipul\u00e1cie a\u00a0propagandy, sme videli len jednu anga\u017eovan\u00fa inscen\u00e1ciu. Nezaznamenali sme ani pokusy o\u00a0otv\u00e1ranie historick\u00fdch t\u00e9m, nov\u00fd poh\u013ead na ne, deheroiz\u00e1ciu \u010di naopak pripomenutie nedocenen\u00fdch dejate\u013eov. Inscen\u00e1cie viac experimentovali s\u00a0formou \u010di nap\u013a\u0148ali z\u00e1bavn\u00fa a\u00a0oddychov\u00fa funkciu divadla.<\/p>\n<p><em>Skupova Plze\u0148 2016<br \/>\n32. medzin\u00e1rodn\u00fd festival b\u00e1bkov\u00e9ho a\u00a0alternat\u00edvneho divadla<br \/>\n8. \u2013 12. j\u00fan 2016, Plze\u0148<br \/>\n<a href=\"http:\/\/www.divadloalfa.cz\/skupova-plzen\" target=\"_blank\" rel=\"noopener\">www.divadloalfa.cz\/skupova-plzen<\/a><\/em><\/p>\n<p>\u010cl\u00e1nok vznikol pre \u010dasopis\u00a0k\u00f8d &#8211; konkr\u00e9tne o divadle a bol uverejnen\u00fd v \u010d\u00edsle 9\/2016.\u00a0<a href=\"https:\/\/www.aict.sk\/fileadmin\/aict\/cesty\/pdf\/skupova-plzen.pdf\">Stiahnu\u0165 v PDF\u00a0<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"c262\">\n<div>\n<div>Z verejn\u00fdch zdrojov podporil Fond na podporu umenia<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-0{width:100% !important;margin-top : 0px;margin-bottom : 0px;}.fusion-builder-column-0 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-0{width:100% !important;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-0{width:100% !important;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":244,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[115],"tags":[],"class_list":["post-4227","post","type-post","status-publish","format-standard","hentry","category-zahranicne-aktivity"],"_links":{"self":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/users\/244"}],"replies":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4227"}],"version-history":[{"count":3,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4227\/revisions"}],"predecessor-version":[{"id":4571,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4227\/revisions\/4571"}],"wp:attachment":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}