{"id":4218,"date":"2016-10-09T13:18:43","date_gmt":"2016-10-09T11:18:43","guid":{"rendered":"https:\/\/monitoring.patlevic.sk\/?p=4218"},"modified":"2023-01-26T13:19:23","modified_gmt":"2023-01-26T12:19:23","slug":"v-plzni-tento-rok-remiza","status":"publish","type":"post","link":"https:\/\/monitoring.patlevic.sk\/?p=4218","title":{"rendered":"V Plzni tento rok rem\u00edza"},"content":{"rendered":"
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V\u00edkendov\u00fd program Medzin\u00e1rodn\u00e9ho festivalu Divadlo Plze\u0148 2016* sa u\u017e podobne ako predch\u00e1dzaj\u00face festivalov\u00e9 dni niesol sk\u00f4r v\u00a0pokojnej atmosf\u00e9re. Div\u00e1kov op\u00e4\u0165 nak\u0155mil kvantitou aj kvalitou a pon\u00fakol (iste reprezentat\u00edvnu) vzorku \u00farody \u010desk\u00e9ho divadeln\u00edctva. Nedo\u0161lo v\u0161ak na \u017eiadnu senz\u00e1ciu, za ktorou sme si u\u017e do Plzne zvykli cestova\u0165.<\/p>\n

Kr\u010dmov\u00e9 diskusie o zahrani\u010dn\u00fdch hos\u0165uj\u00facich inscen\u00e1ci\u00e1ch skon\u010dili v\u00a0z\u00e1sade nerozhodne, s\u00a0pochvalami aj v\u00fd\u010ditkami na stran\u00e1ch fan\u00fa\u0161ikov aj odporcov, aby napokon vyvrcholili ve\u013ekolep\u00fdm a\u00a0ve\u013ekolepo polemick\u00fdm (vo vz\u0165ahu k\u00a0predlohe aj v ohlasoch publika) z\u00e1vere\u010dn\u00fdm predstaven\u00edm inscen\u00e1cie\u00a0Hamlet\u00a0<\/em>re\u017eis\u00e9ra Krzysztofa Garbaczewsk\u00e9ho z krakovsk\u00e9ho divadla Narodowy stary teatr. Op\u00e4\u0165 nerozhodne.<\/p>\n

Herci v\u00a0hlavnej \u00falohe<\/strong><\/p>\n

Dom\u00e1ci showcase po\u010das v\u00edkendu priniesol len to, \u010do s\u00e1m s\u013euboval. Zo sobotn\u00e9ho a\u00a0nede\u013en\u00e9ho programu zarezonoval predov\u0161etk\u00fdm osved\u010den\u00fd tandem Mikul\u00e1\u0161ek-Vicen\u00edkov\u00e1 s\u00a0inscen\u00e1ciou\u00a0Posedlost<\/em>\u00a0a\u00a0cenami oven\u010den\u00e9\u00a0Sly\u0161en\u00ed\u00a0<\/em>divadla Komorn\u00ed sc\u00e9na Ar\u00e9na.<\/em>\u00a0Dvojica diametr\u00e1lne odli\u0161n\u00fdch divadeln\u00fdch svetov – \u013eahkov\u00e1\u017ene a tragick\u00e9 t\u00e9my; ske\u010dovit\u00fd \u00fatvar, ktor\u00fd vznikol met\u00f3dou kolekt\u00edvnej tvorby verzus dramatick\u00e1 predloha s\u00a0dokument\u00e1rnym pozad\u00edm at\u010f. – m\u00e1 napriek prvotn\u00e9mu dojmu spolo\u010dn\u00fd z\u00e1klad \u2013 v\u00fdstavn\u00fa pr\u00e1cu hercov.<\/p>\n

U\u00a0Mikul\u00e1\u0161ka a\u00a0Vicen\u00edkovej sledujeme ne\u0161\u0165astn\u00e9 kreat\u00fary \u2013 podiv\u00ednov, ktor\u00ed sa predieraj\u00fa s\u00e9riou asociat\u00edvnych sc\u00e9n(ok), tematizuj\u00fa l\u00e1sku, fyzick\u00fa pr\u00ed\u0165a\u017elivos\u0165, vz\u0165ahy a ich nefunk\u010dnos\u0165 \u010di neexistenciu. Op\u00e4\u0165 v\u00a0p\u00f4sobivej sc\u00e9nografii Marka Cpina voyersky nak\u00fakame do spolovice rozb\u00faran\u00e9ho bytov\u00e9ho domu, ktor\u00e9ho obyvatelia s\u00fa vlastne podobne zni\u010den\u00ed a \u201erozlo\u017een\u00ed\u201c. V\u00fdjavy ich \u017eivotov plyn\u00fa odnikia\u013e nikam, bez nevyhnutnosti v\u00fdraznej\u0161ieho intelektu\u00e1lneho zapojenia div\u00e1ka pobavia trefnos\u0165ou postrehov, ale aj zdivadelnen\u00edm o\u0161\u00fachan\u00fdch partnersk\u00fdch anekdot. Ironick\u00fd poh\u013ead na sentiment\u00e1lnu t\u00e9mu kde-tu osvie\u017eia z\u00a0radu podobn\u00fdch sc\u00e9n vyt\u0155\u010daj\u00face d\u00f4vtipn\u00e9 momenty \u2013 ako pohybov\u00e9 metafory odkazuj\u00face na vn\u00edmanie tzv. mu\u017esk\u00fdch a\u00a0\u017eensk\u00fdch pr\u00e1c v dom\u00e1cnosti (napr. \u017eena hlavou mu\u017ea zab\u00edja klinec do steny, mu\u017e \u017eenou ako mopom vytiera podlahu). Inscen\u00e1cia aj v\u010faka hereck\u00e9mu stv\u00e1rneniu tenduje a\u017e k\u00a0v\u00fdjavom z \u010diernej kom\u00e9die, ktor\u00e1 ale na viacer\u00fdch miestach najm\u00e4 zopakuje to, \u010do je d\u00e1vno zn\u00e1me.<\/p>\n

Ocenenie herectva Mareka Cisovsk\u00e9ho v\u00a0postave nechutne presved\u010div\u00e9ho Adolfa Eichmanna v\u00a0inscen\u00e1cii\u00a0Sly\u0161en\u00ed<\/em>\u00a0je skuto\u010dne namieste. Cenu by si Cisovsk\u00fd pokojne zasl\u00fa\u017eil aj viackr\u00e1t. Jeho obratn\u00e1 obhajoba do posledn\u00e9ho dychu, v\u00a0ktorej ani raz nezaznie z\u00fafalstvo, ale\u00a0odporn\u00e1 argumenta\u010dn\u00e1 sebaistota postaven\u00e1 na zvr\u00e1ten\u00fdch z\u00e1kladoch, je skuto\u010dne desiv\u00e1. Vo vz\u0165ahu k\u00a0minulosti, aj vo vz\u0165ahu k s\u00fa\u010dasnosti. Cisovsk\u00e9ho Eichmann je vlastne \u00falisn\u00fd \u00faradn\u00ed\u010dek, sna\u017eiv\u00fd \u0161prt raduj\u00faci sa \u00faspechu \u201esvojho\u201c projektu u\u00a0vrchnosti. Jeho rozpr\u00e1vaniu kontruj\u00fa pochybn\u00e1 spolo\u010dn\u00ed\u010dka Vlasti\u010dka (Alena Sas\u00ednov\u00e1-Polarczyk) a\u00a0jeho neist\u00fd \u201ekolega\u201c Hans Frank (Albert \u010cuba), ktor\u00fd sa na rozdiel od Eichmanna sna\u017e\u00ed zachr\u00e1ni\u0165 a\u00a0aspo\u0148 \u010diasto\u010dne zbavi\u0165 viny. Pri poh\u013eade cez prizmu ocenenia v\u00a0kateg\u00f3rii najlep\u0161ia inscen\u00e1cia sez\u00f3ny 2015 v\u0161ak nezanechala tematicky z\u00e1va\u017en\u00e1 a\u00a0apeluj\u00faca, herecky v\u00fdborn\u00e1, ale divadelne predsa relat\u00edvne tradi\u010dn\u00e1 \u010dinohra \u00faplne jednozna\u010dn\u00fd dojem.<\/p>\n

Mlad\u00ed a neopozeran\u00ed\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n

V\u00a0priebehu nieko\u013ek\u00fdch festivalov\u00fdch dn\u00ed dop\u013a\u0148ala sprievodn\u00fd program tie\u017e b\u00e1bkov\u00e1 inscen\u00e1cia pre jedn\u00e9ho div\u00e1ka \u2013 \u0161tudentsk\u00fd projekt\u00a0\u03bcSputnik<\/em>. Nen\u00e1padn\u00e1 produkcia v\u00a0kr\u00e1tkosti previedla jedin\u00e9ho, spo\u010diatku prirodzene nerv\u00f3zneho, div\u00e1ka vtipn\u00fdm a\u00a0vtipne ban\u00e1lnym pr\u00edbehom prvej umelej dru\u017eice. V\u00a0miniat\u00fare\u00a0Dominika Miga\u010da a Terezy\u00a0\u010cernej\u00a0sa toho za 12 min\u00fat neudeje ve\u013ea, hoci v\u00a0\u017eivote dru\u017eice tak akur\u00e1t dos\u0165. Sputnik opust\u00ed Zem a\u00a0odlet\u00ed do vesm\u00edru, kde jeho cestu sleduje div\u00e1k so sl\u00fachadlami na u\u0161iach. Z\u00e1\u017eitok z\u00a0cesty dokres\u013euje zvukovo-hudobn\u00e1 ilustr\u00e1cia, ktor\u00e1 spolu so striedan\u00edm\/strihom sc\u00e9n evokuje miestami viac filmov\u00fd ako divadeln\u00fd kus. Minuci\u00f3zne vypracovanie, manu\u00e1lna anim\u00e1cia miniat\u00farneho objektu, odzbrojuj\u00faca jednoduchos\u0165 a\u00a0n\u00e1paditos\u0165 \u0161tudentsk\u00e9ho zoskupenia si ur\u010dite nezasl\u00fa\u017eia miesto na okraji programu.<\/p>\n

Popri istot\u00e1ch a\u00a0prekvapeniach sme cez v\u00edkend videli aj u\u017e tradi\u010dne vysoko estetick\u00e9 divadlo re\u017eijn\u00e9ho zoskupenia Skutr (Vojcek)\u00a0<\/em>\u010di poctiv\u00fa, medzi\u010dasom zderni\u00e9rovan\u00fa, \u0161tudentsk\u00fa \u010dinohru umne vyu\u017e\u00edvaj\u00facu cel\u00fd kolekt\u00edv absolventsk\u00e9ho ro\u010dn\u00edka Katedry \u010dinohern\u00e9ho divadla DAMU\u00a0Ritu\u00e1ln\u00ed vra\u017eda<\/em>\u00a0Gorge Mastromase\u00a0<\/em>v\u00a0r\u00e9\u017eii Adama Svozila.\u00a0<\/em>Popri nich sa ale objavil aj \u010deskoslovensk\u00fd shakespearovsk\u00fd ot\u00e1znik \u2013 a\u017e pridivoko \u201ezjarmo\u010dnel\u00e1\u201c \u00a0Zimn\u00ed poh\u00e1dka<\/em>\u00a0re\u017eis\u00e9ra Ondreja Spi\u0161\u00e1ka z \u00a0Dejvick\u00e9ho divadla.<\/p>\n

S\u00fadiac pod\u013ea ohlasov na na\u0161u dom\u00e1cu tvorbu zaraden\u00fa do hlavn\u00e9ho programu festivalu (Mojm\u00edr II. alebo S\u00famrak r\u00ed\u0161e\u00a0<\/em>a\u00a0Solo lamentoso<\/em>), ani Slov\u00e1ci \u00faplne jednozna\u010dne nebodovali. Tak\u017ee napokon rem\u00edza.<\/p>\n

 <\/p>\n

*Festival sa konal 7.-14. septembra 2016<\/p>\n

\u010cl\u00e1nok vznikol pre\u00a0MLOKi – internetov\u00fd magaz\u00edn o kult\u00fare (www.mloki.sk<\/a>).<\/p>\n

 <\/p>\n

 <\/p>\n<\/div>\n

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Z verejn\u00fdch zdrojov podporil Fond na podporu umenia<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

V\u00edkendov\u00fd program Medzin\u00e1rodn\u00e9ho festivalu Divadlo Plze\u0148 2016* sa u\u017e podobne […]<\/p>\n","protected":false},"author":242,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[115],"tags":[],"class_list":["post-4218","post","type-post","status-publish","format-standard","hentry","category-zahranicne-aktivity"],"_links":{"self":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/users\/242"}],"replies":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4218"}],"version-history":[{"count":1,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4218\/revisions"}],"predecessor-version":[{"id":4219,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4218\/revisions\/4219"}],"wp:attachment":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}