{"id":4213,"date":"2016-12-15T13:16:29","date_gmt":"2016-12-15T12:16:29","guid":{"rendered":"https:\/\/monitoring.patlevic.sk\/?p=4213"},"modified":"2023-01-26T13:17:28","modified_gmt":"2023-01-26T12:17:28","slug":"juhoslovanske-divadelne-potulky","status":"publish","type":"post","link":"https:\/\/monitoring.patlevic.sk\/?p=4213","title":{"rendered":"Juhoslovansk\u00e9 divadeln\u00e9 potulky"},"content":{"rendered":"
\n

Maribor<\/strong><\/p>\n

V\u010faka z\u00e1vere\u010dnej \u201ev\u00edkendovke\u201c\u00a0festivalu Bor\u0161tnikovo sre\u010danje v Maribore som \u010diasto\u010dne nazrela do slovinskej divadelnej sc\u00e9ny. Festival je prehliadkou dom\u00e1cej tvorby uplynulej divadelnej sez\u00f3ny a hlavn\u00fd program m\u00e1 z\u00e1rove\u0148 charakter s\u00fa\u0165a\u017ee. Dop\u013a\u0148a ho sprievodn\u00fd program z\u00a0diel dom\u00e1cej produkcie, l\u00ednia Mosty (Mostovi\/Bridges), ktor\u00e1 prin\u00e1\u0161a zahrani\u010dn\u00e9 inscen\u00e1cie, a\u00a0tie\u017e ucelen\u00e1 kolekcia \u0161tudentsk\u00fdch inscen\u00e1ci\u00ed. Na v\u00fdnimo\u010dnosti podujatiu prid\u00e1va sl\u00e1vnostn\u00e9 odovzd\u00e1vanie ocenen\u00ed za pozoruhodn\u00e9 inscen\u00e1cie a\u00a0umeleck\u00e9 v\u00fdkony dom\u00e1cich umelcov, ako aj najprest\u00ed\u017enej\u0161ieho ocenenia Bor\u0161tnikov prstan\/Bor\u0161tnik Ring \u2013 hereck\u00e9 ocenenie za celo\u017eivotn\u00e9 dielo.<\/p>\n

Napriek kr\u00e1tkosti n\u00e1v\u0161tevy sa dojmy z\u00a0tejto \u010dasti festivalu n\u00e1padne podobali charakteristike sez\u00f3ny 2015\/2016 divadelnej kriti\u010dky a\u00a0editorky Petry Vidali. Ako kur\u00e1torka festivalov\u00e9ho programu v\u00a0programovom bulletine poznamen\u00e1va, \u017ee uplynulej sez\u00f3ne dominovali \u017eeny \u2013 interpretky, dramati\u010dky, re\u017eis\u00e9rky. Z\u00e1rove\u0148 p\u00ed\u0161e o\u00a0mo\u017enom sklaman\u00ed z\u00a0tejto sez\u00f3ny pre h\u013eada\u010dov absol\u00fatnych a\u00a0nediskutabiln\u00fdch \u201e\u010dere\u0161ni\u010diek\u201c. Paradoxne aj v\u00a0takom malom v\u00fdbere, ak\u00fd predstavuje trojd\u0148ov\u00e1 n\u00e1v\u0161teva, bolo potrebn\u00e9 na tie jadrnej\u0161ie divadeln\u00e9 z\u00e1\u017eitky chv\u00ed\u013eu vy\u010dk\u00e1va\u0165. Jej slov\u00e1 sa potvrdili tie\u017e v\u00a0druhom bode \u2013 tvoriv\u00e9 t\u00edmy\u00a0najzauj\u00edmavej\u0161\u00edch diel viedli \u017eeny. Trojica (pre m\u0148a) najpozoruhodnej\u0161\u00edch inscen\u00e1ci\u00ed bola dielom dvoch re\u017eis\u00e9rok.<\/p>\n

Prvou bola n\u00e1v\u0161teva u\u00a0Troch sestier<\/em>, na ktor\u00fa n\u00e1s re\u017eis\u00e9rka Maru\u0161a Kink pozvala vyslovene pod\u013ea niekdaj\u0161ieho: \u201ek\u00a0Prozorovovcom domov\u201c. Ne\u0161li sme v\u0161ak do honosn\u00e9ho domu v\u00e1\u017eenej rodiny, ale naopak do n\u00e1dherne starobylej, no o\u0161arpanej budovy (podla\u017eie nad kaviar\u0148ou), kde spolo\u010dnos\u0165 zdru\u017een\u00e1 okolo s\u00farodeneck\u00e9ho kvarteta pripom\u00edna skupinu spoluna\u017e\u00edvaj\u00facich\/spolusquatuj\u00facich mlad\u00fdch \u013eud\u00ed. Obraz podobn\u00fd dom\u00e1cnostiam s\u00fa\u010dasn\u00fdch seri\u00e1lov\u00fdch hrdinov. Maru\u0161a Kink na\u0161tudovala inscen\u00e1ciu iba so \u0161iestimi \u0161tudentmi magistersk\u00e9ho \u0161t\u00fadia UL AGRFT (\u013eub\u013eansk\u00e1 akad\u00e9mia umenia \u2013 Akademija za gledali\u0161\u010de, radio, film in televizijo\/Academy of Theatre, Radio, Film and Television), ktor\u00fdch \u201ejaviskov\u00e1\u201c bezprostrednos\u0165 s\u0148ala tia\u017e z\u00a0dobre zn\u00e1mej predlohy. Inscen\u00e1cia sa ocitla niekde na hranici kateg\u00f3ri\u00ed div\u00e1ckej interakcie. Sedelo sa ako na skuto\u010dnej n\u00e1v\u0161teve, k\u00e1va sa n\u00fakala postav\u00e1m, ale aj \u201ehos\u0165om\u201c, v\u00a0ur\u010ditej \u010dasti predstavenia \u010dakal div\u00e1kov presun, ale inak ost\u00e1val div\u00e1k iba ml\u010diacim recipientom. Sledoval navz\u00e1jom sa prel\u00ednaj\u00face dial\u00f3gy a obrazy, ktor\u00e9 prebiehali paralelne \u2013 takmer ako v skuto\u010dnosti. Cie\u013eom tvorcov toti\u017e nebolo obsiahnu\u0165 predlohu v\u00a0celej \u0161\u00edrke, ale sprostredkova\u0165 realitu s\u00fa\u010dasne interpretovan\u00fdch \u010cechovov\u00fdch post\u00e1v p\u00e1traj\u00facich po neuchopite\u013enom \u0161\u0165ast\u00ed, k\u00fdm z\u00a0nej Nata\u0161a v\u0161etk\u00fdch div\u00e1kov doslovne nevyhnala.<\/p>\n

\u010eal\u0161ie dve miesta patria rozhodne dvojici inscen\u00e1ci\u00ed re\u017eis\u00e9rky Mateje Kole\u017enik \u2013 na\u0161tudovaniu dr\u00e1my Gerharta Hauptmanna\u00a0Rose Bernd\u00a0<\/em>(Slovensko ljudsko gledali\u0161\u010de Celje) a\u00a0dr\u00e1my Thomasa Bernharda\u00a0Pred odchodom na odpo\u010dinok\u00a0<\/em>(Pre\u0161ernovo gledali\u0161\u010de Kranj). Inscen\u00e1cia\u00a0Pred odchodom na odpo\u010dinok<\/em>\u00a0si z\u00a0festivalu odniesla ocenenie za r\u00e9\u017eiu a\u00a0hereck\u00fd v\u00fdkon v\u00a0postave Very (Vesna Jevnikar). Kole\u017enik je tlmo\u010dn\u00ed\u010dkou sugest\u00edvnych v\u00fdpoved\u00ed uzamknut\u00fdch do kompaktn\u00e9ho a\u00a0d\u00f4sledne premyslen\u00e9ho celku. V\u00fdrazn\u00fdm prvkom oboch inscen\u00e1ci\u00ed je pr\u00e1ca so svetlom \u2013 to je z\u00e1rove\u0148 charakteriza\u010dn\u00fdm elementom prostredia. Pofid\u00e9rne s\u00farodeneck\u00e9 trio vystavuje svetu v\u00a0ostrej v\u00fdstra\u017enej bielej (ktor\u00fa ob\u010das prelom\u00ed absol\u00fatnym kontrapunktom \u2013 tie\u0148om a\u00a0\u0161erom, ktor\u00e9 m\u00e1 prikry\u0165 incestn\u00e9 poklesky), z\u00fafalo bezv\u00fdchodiskov\u00fd svet R\u00f3zy top\u00ed v\u00a0hlbin\u00e1ch indigovo modrej. Nie je to ale jedin\u00fd d\u00f4vod, pre\u010do sa Kole\u017enikovej inscen\u00e1cie na seba podobaj\u00fa. V\u00a0oboch vytvorila re\u017eis\u00e9rka univerzum ist\u00fdm sp\u00f4sobom uniformn\u00fdch jedincov s neforemn\u00fdmi paroch\u0148ami a\u00a0okat\u00fdmi slabos\u0165ami. V\u00a0inscen\u00e1cii\u00a0Pred odchodom na odpo\u010dinok<\/em>\u00a0sledujeme trojicu hendikepovan\u00fdch post\u00e1v, z\u00a0ktor\u00fdch iba u\u00a0jednej ide o\u00a0hendikep fyzick\u00fd (naturalisticky perfekcionistick\u00e1 interpret\u00e1cia Darje Reichman). U\u00a0\u010fal\u0161\u00edch dvoch s\u00farodencov je to hendikep etick\u00fd, du\u0161evn\u00fd, soci\u00e1lny. Aj spolo\u010dnos\u0165, ktor\u00e1 obklopuje R\u00f3zu Bernd, vn\u00edma Kole\u017enik ako svojsk\u00e9 panoptikum \u201ekriplov\u201c neschopn\u00fdch spr\u00e1vneho kroku a\u00a0pomoci. Davov\u00e9 a\u00a0komorn\u00e9 sc\u00e9ny tu strieda takmer filmov\u00fdm strihom, mizansc\u00e9ny a pohyb po javisku s\u00fa presne vypo\u010d\u00edtan\u00e9 a\u00a0predsa dostato\u010dne prirodzen\u00e9, aby jednotliv\u00e9 premeny neostali ochudobnen\u00e9 o\u00a0moment prekvapenia. V\u00a0oboch pr\u00edpadoch re\u017eis\u00e9rka z\u00e1rove\u0148 uzatv\u00e1ra tieto pochybn\u00e9 spolo\u010dnosti do miniat\u00farnych v\u00fdrezov ne\u00fapln\u00fdch interi\u00e9rov vysunut\u00fdch \u00faplne na prosc\u00e9nium (aspo\u0148 na javisku Slovinsk\u00e9ho n\u00e1rodn\u00e9ho divadla v\u00a0Maribore). Kole\u017enik stavia hercov takmer na dotyk div\u00e1kovi v\u00a0prvom rade, ktor\u00e9ho poh\u013ead je v\u010faka tomu nekompromisn\u00fd ako oko kamery.<\/p>\n

Na z\u00edskanie preh\u013eadu o\u00a0miestnom divadeln\u00edctve s\u00fa tri dni \u017ealostne m\u00e1lo, na pohyb po relat\u00edvne stiesnenom slovinskom meste pred\u013a\u017een\u00fd v\u00edkend sta\u010d\u00ed. Zahrani\u010dn\u00fd n\u00e1v\u0161tevn\u00edk festivalu m\u00e1 o\u00a0nie\u010do chudobnej\u0161\u00ed program ne\u017e dom\u00e1ci. S\u00edce s\u00fa v\u0161etky predstavenia ve\u013ekoryso titulkovan\u00e9, na sprievodn\u00fdch podujatiach (diskusie, konferencia) sa ale bez znalosti slovin\u010diny zaob\u00eds\u0165 ned\u00e1. Je v\u0161ak pochopite\u013en\u00e9, \u017ee gro n\u00e1v\u0161tevn\u00edkov tvor\u00ed dom\u00e1ca umeleck\u00e1 obec, pre ktor\u00fa je \u00fa\u010das\u0165 na festivale z\u00e1\u017eitok porovnate\u013ene intenz\u00edvny ako pre n\u00e1s divadeln\u00fd marat\u00f3n Dotyky a\u00a0spojenia v Martine.<\/p>\n

 <\/p>\n

Festival Bor\u0161tnikovo sre\u010danje, Maribor, Slovinsko
\n51. ro\u010dn\u00edk festivalu
\n14. – 23. okt\u00f3ber 2016
\nwww.borstnikovo.si<\/a><\/em><\/p>\n<\/div>\n

\n
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Z verejn\u00fdch zdrojov podporil Fond na podporu umenia<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Maribor V\u010faka z\u00e1vere\u010dnej \u201ev\u00edkendovke\u201c\u00a0festivalu Bor\u0161tnikovo sre\u010danje v Maribore som \u010diasto\u010dne […]<\/p>\n","protected":false},"author":242,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[115],"tags":[],"class_list":["post-4213","post","type-post","status-publish","format-standard","hentry","category-zahranicne-aktivity"],"_links":{"self":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/users\/242"}],"replies":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4213"}],"version-history":[{"count":1,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4213\/revisions"}],"predecessor-version":[{"id":4214,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4213\/revisions\/4214"}],"wp:attachment":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}