{"id":4198,"date":"2018-12-31T13:06:37","date_gmt":"2018-12-31T12:06:37","guid":{"rendered":"https:\/\/monitoring.patlevic.sk\/?p=4198"},"modified":"2023-01-26T13:07:50","modified_gmt":"2023-01-26T12:07:50","slug":"seminar-mladych-divadelnych-kritikov-v-limoges-vo-francuzsku","status":"publish","type":"post","link":"https:\/\/monitoring.patlevic.sk\/?p=4198","title":{"rendered":"Semin\u00e1r mlad\u00fdch divadeln\u00fdch kritikov v Limoges vo Franc\u00fazsku"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#e2e2e2;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><p><strong>Semin\u00e1r mlad\u00fdch divadeln\u00fdch kritikov v\u00a0Limoges vo Franc\u00fazsku<\/strong><\/p>\n<p>Pribli\u017ene v\u00a0\u010dase, ke\u010f sa v\u00a0Bratislave konal festival Istropolitana, som mala mo\u017enos\u0165 sa z\u00fa\u010dastni\u0165 na Medzin\u00e1rodnom festivale divadeln\u00fdch \u0161k\u00f4l (Festival international des \u00e9coles de th\u00e9\u00e2tre) vo franc\u00fazskom meste\u010dku Limoges. V\u00a0term\u00edne 11. \u2013 17. j\u00fana 2018 tu toti\u017e prebiehal workshop AICT pre mlad\u00fdch divadeln\u00fdch kritikov. Pod veden\u00edm riadite\u013ea Medzin\u00e1rodnej organiz\u00e1cie divadeln\u00fdch kritikov AICT\/IATC Jeana-Pierra Hana, divadeln\u00e9ho kritika Michela Vaisa (Quebec, Kanada) a\u00a0profesorky Mariky Anazawa\u00a0z\u00a0Tokia sa semin\u00e1ru z\u00fa\u010dastnilo spolu desa\u0165 za\u010d\u00ednaj\u00facich kritikov zo Slovenskej a \u010ceskej republiky, Srbska, Franc\u00fazska, Thajska, Islandu a Turecka.<\/p>\n<p>Festival organizovalo domovsk\u00e9 divadlo Th\u00e9\u00e2tre de l\u2019Union na \u010dele s\u00a0jeho riadite\u013eom Jeanom Lambertom-Wild. Bol spojen\u00fd s\u00a0oslavami 20. v\u00fdro\u010dia zalo\u017eenia tamoj\u0161ej Divadelnej akad\u00e9mie. Mali sme mo\u017enos\u0165 celkovo zhliadnu\u0165 osem rozmanit\u00fdch inscen\u00e1ci\u00ed, ktor\u00e9 sl\u00fa\u017eili ako podklad nadch\u00e1dzaj\u00facich kritick\u00fdch reflexi\u00ed. I\u0161lo o\u00a0medzin\u00e1rodn\u00e9 produkcie zo Singapuru, \u010c\u00edny, Burkiny Faso, ako aj o dom\u00e1ce franc\u00fazske predstavenia. Ich spektrum bolo naozaj rozmanit\u00e9 \u2013 pohybov\u00e9 divalo a nov\u00fd cirkus striedala klasick\u00e1 \u010dinohra \u2013 kom\u00e9dia \u010di monodr\u00e1ma. Otv\u00e1rac\u00edm predstaven\u00edm bolo kolekt\u00edvne dielo\u00a0<em>La Condition Collective<\/em>. \u0160tudenti predviedli pohybov\u00e9 etudy spojen\u00e9 so \u017eongl\u00e9rskym umen\u00edm. Podobn\u00fdm predstaven\u00edm bol\u00a0<em>Circulus<\/em>, ktor\u00fd sa konal v\u00a0cirkusovom \u0161apit\u00f3 v\u00a0meste Nexon, vzdialenom asi pol hodinu cesty autobusom od Limoges. Toto predstavenie otvorilo na semin\u00e1ri ot\u00e1zky o\u00a0tradi\u010dnom cirkuse a\u00a0st\u00e1le modernej\u0161om \u017e\u00e1nri nov\u00fd cirkus. Zauj\u00edmav\u00fdm predstaven\u00edm bolo dielo s\u00a0n\u00e1zvom\u00a0<em>Fa\u00e7ons d&#8217;aimer\u00a0<\/em>(Sp\u00f4soby l\u00e1sky) (Ouagadougou, Burkina Faso). I\u0161lo o\u00a0spove\u010f \u010derno\u0161ky, obvinenej z\u00a0vra\u017edy svojho man\u017eela a\u00a0jeho \u010fal\u0161ej, bielej \u017eeny. Up\u00fatal i\u00a0<em>Kr\u00e1\u013e Lear<\/em>\u00a0(Peking, \u010c\u00edna) alebo inscen\u00e1cie satirickej hry\u00a0<em>Rakva je pr\u00edli\u0161 ve\u013ek\u00e1 do hrobu<\/em>\u00a0(Singapur). Dom\u00e1ce produkcie boli zast\u00fapen\u00e9 tradi\u010dn\u00fdmi moli\u00e9rovsk\u00fdmi fra\u0161kami\u00a0<em>Lietaj\u00faci lek\u00e1r\u00a0<\/em>a<em>\u00a0N\u00faten\u00fd sob\u00e1\u0161<\/em>.<\/p>\n<p>Kv\u00f4li organiza\u010dn\u00fdm d\u00f4vodom odriekli \u00fa\u010das\u0165 na festivale na posledn\u00fa chv\u00ed\u013eu dva s\u00fabory \u2013\u00a0<em>Zone Franc(h)e<\/em>\u00a0(Conakry, Guinea) a\u00a0<em>Des Voix de l&#8217;au-del\u00e0<\/em>\u00a0(Bagdad, Irak). Organiz\u00e1tori ako n\u00e1hradn\u00fd program uviedli kr\u00e1tke komorn\u00e9 predstavenie o\u00a0\u017eivote zakladate\u013ea sl\u00e1vneho avignonsk\u00e9ho festivalu Jeana Vilara a\u00a0dvornej festivalovej fotografke. Toto vyvolalo medzi domovsk\u00fdm publikom prirodzene siln\u00e9 emocion\u00e1lne prepojenie. \u0160koda, \u017ee sme nemohli oceni\u0165 napr\u00edklad unik\u00e1tny dobov\u00fd jazyk. Po\u010das semin\u00e1ru sme si kl\u00e1dli ot\u00e1zky o situ\u00e1cii divadeln\u00fdch period\u00edk vo Franc\u00fazsku i\u00a0v\u00a0\u010fal\u0161\u00edch krajin\u00e1ch, o\u00a0\u00falohe divadelnej kritiky pre spolo\u010dnos\u0165, o objektivite verzus subjektivite divadeln\u00e9ho kritika, o probl\u00e9me etiky divadeln\u00e9ho kritika \u010di o pou\u017e\u00edvan\u00ed titulkov v\u00a0r\u00e1mci predstaven\u00ed. Zam\u00fd\u0161\u013eali sme sa nad t\u00fdm, ako zoh\u013eadi\u0165 kult\u00farne, etnick\u00e9 a rasov\u00e9 \u0161pecif\u00edk\u00e1 pri divadelnej kritike \u010di ako reflektova\u0165 v\u00a0divadeln\u00fdch recenzi\u00e1ch kritiku postkolonializmu. Porovn\u00e1vali sme hereck\u00e9 met\u00f3dy a\u00a0techniky (\u010d\u00ednske, africk\u00e9, \u00e1zijsk\u00e9 divadlo) a hodnotili multikult\u00farny aspekt v\u00a0inscen\u00e1ci\u00e1ch.<\/p>\n<\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-0{width:100% !important;margin-top : 0px;margin-bottom : 0px;}.fusion-builder-column-0 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-0{width:100% !important;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-0{width:100% !important;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":236,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[115],"tags":[],"class_list":["post-4198","post","type-post","status-publish","format-standard","hentry","category-zahranicne-aktivity"],"_links":{"self":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/users\/236"}],"replies":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4198"}],"version-history":[{"count":2,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4198\/revisions"}],"predecessor-version":[{"id":4200,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4198\/revisions\/4200"}],"wp:attachment":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}