{"id":4187,"date":"2020-10-18T12:59:46","date_gmt":"2020-10-18T10:59:46","guid":{"rendered":"https:\/\/monitoring.patlevic.sk\/?p=4187"},"modified":"2023-01-26T13:00:09","modified_gmt":"2023-01-26T12:00:09","slug":"spomienkove-fragmenty-z-festivalu-divadlo-v-plzni-2020","status":"publish","type":"post","link":"https:\/\/monitoring.patlevic.sk\/?p=4187","title":{"rendered":"Spomienkov\u00e9 fragmenty z festivalu Divadlo v Plzni 2020"},"content":{"rendered":"<p>Organiz\u00e1tori 28. ro\u010dn\u00edka medzin\u00e1rodn\u00e9ho festivalu Divadlo v Plzni e\u0161te v auguste d\u00fafali, \u017ee festival bud\u00fa m\u00f4c\u0165 usporiada\u0165 s p\u00f4vodne pl\u00e1novan\u00fdm programom, \u010do tradi\u010dne znamenalo mo\u017enos\u0165 konfront\u00e1cie najzauj\u00edmavej\u0161\u00edch inscen\u00e1ci\u00ed \u010desk\u00fdch divadiel v uplynulej sez\u00f3ne s tvorbou \u0161pi\u010dkov\u00fdch zahrani\u010dn\u00fdch s\u00faborov. V\u00edrusov\u00e1 miz\u00e9ria v\u0161ak nakoniec hrubo zasiahla (postihla je mo\u017en\u00e1 spr\u00e1vnej\u0161\u00ed v\u00fdraz) aj tento renomovan\u00fd medzin\u00e1rodn\u00fd festival. Zo zahrani\u010dn\u00fdch divadiel sme v hlavnom programe mohli vidie\u0165 nakoniec dva. Z toho SND z Bratislavy sa miesto p\u00f4vodne pl\u00e1novanej inscen\u00e1cie\u00a0<em>Dnes ve\u010der nehr\u00e1me<\/em>\u00a0v r\u00e9\u017eii Ji\u0159\u00edho Havelku nakoniec predstavilo s n\u00e1hradn\u00fdm programom: textom \u013dubom\u00edra Feldeka\u00a0<em>Nepolep\u0161en\u00fd sv\u00e4tec<\/em>\u00a0v r\u00e9\u017eii Kamila \u017di\u0161ku. Inscen\u00e1cia z Modr\u00e9ho sal\u00f3na SND sa dostala na ve\u013ek\u00fa sc\u00e9nu Star\u00e9ho divadla v Plzni, \u010do o\u010dividne s\u0165a\u017eilo hercom situ\u00e1ciu, tento rok preto hos\u0165ovanie SND skon\u010dilo namiesto v Plzni u\u017e tradi\u010dn\u00fdch div\u00e1ckych ov\u00e1ci\u00ed len slu\u0161n\u00fdm potleskom. Druh\u00e1 zahrani\u010dn\u00e1 inscen\u00e1cia bola z Franc\u00fazska. Re\u017eis\u00e9r, dramatik a hudobn\u00edk, s\u00fa\u010dasn\u00fd riadite\u013e Avignonsk\u00e9ho festivalu Oliver Py sa in\u0161piroval textom bratov Grimmovcov\u00a0<em>Triumf l\u00e1sky<\/em>, a pripravil zdanlivo jednoduch\u0161iu, hrav\u00fa inscen\u00e1ciu prostriedkami pripom\u00ednaj\u00facimi ko\u010dovn\u00e9 divadl\u00e1. Obdivuhodne mnohostrann\u00ed herci, ktor\u00ed sa uk\u00e1zali aj ako \u0161pi\u010dkov\u00ed hudobn\u00edci, uvo\u013enenou hrou prezentovali bezstarostn\u00fa z\u00e1bavu, ktor\u00fa div\u00e1ci prijali v\u010fa\u010dn\u00fdm aplauzom. Divadeln\u00fdch odborn\u00edkov v\u0161ak predstavenie v\u00fdrazne polarizovalo: niektor\u00ed brilantn\u00e9 hereck\u00e9 v\u00fdkony a pr\u00edjemn\u00fa z\u00e1bavu ocenili, in\u00fdm v\u00fdrazne ch\u00fdbala z\u00e1va\u017enej\u0161ia v\u00fdpovedn\u00e1 hodnota produkcie. S\u00e1m patr\u00edm jednozna\u010dne do prvej skupiny: mysl\u00edm si, \u017ee tak\u00e1 \u201eremeselne\u201c kvalitn\u00e1 hereck\u00e1 pr\u00e1ca, prezentovan\u00e1 re\u017eijne vkusne a \u0161t\u00fdlovo jednotne, m\u00e1 svoju nespochybnite\u013en\u00fa umeleck\u00fa hodnotu.<\/p>\n<p>Odvolania sa, \u017eia\u013e, net\u00fdkali len zahrani\u010dn\u00fdch, ale aj \u010desk\u00fdch inscen\u00e1ci\u00ed. Niektor\u00e9 predstavenia boli na posledn\u00fa chv\u00ed\u013eu zru\u0161en\u00e9, in\u00e9 sa zase na festival dostali ne\u0161tandardne, hne\u010f po premi\u00e9re, bez toho, aby ich \u010dlenovia dramaturgickej rady mali mo\u017enos\u0165 vidie\u0165. Z t\u00fdch zru\u0161en\u00fdch mi bolo najviac smutno za inscen\u00e1ciou Monteverdiho len \u010diasto\u010dne zachovanej opery (<em>L\u00b4Arianna<\/em>) v \u00faprave a r\u00e9\u017eii Tom\u00e1\u0161a Hanzl\u00edka v hudobnej spolupr\u00e1ci s V\u00edtom Zouharom. T\u00e1 \u201ene\u0161tandardne vybrat\u00e1\u201c bola inscen\u00e1cia textu franc\u00fazskeho herca a re\u017eis\u00e9ra Vincenta Maciagna<em>\u00a0St\u00e1t jsem j\u00e1<\/em>\u00a0z N\u00e1rodn\u00e9ho divadla z Prahy, v r\u00e9\u017eii Jana Mikul\u00e1\u0161ka. Z\u00e1sadn\u00fdm probl\u00e9mom tejto inscen\u00e1cie je u\u017e samotn\u00fd text. Z autorovej snahy by\u0165 za ka\u017ed\u00fa cenu aktu\u00e1lny, hovori\u0165 o s\u00fa\u010dasn\u00fdch spolo\u010densko-politick\u00fdch ot\u00e1zkach, uk\u00e1za\u0165 hl\u00fapos\u0165 tak roz\u0161\u00edren\u00fdch reality show, nebezpe\u010denstvo ohlupovania div\u00e1kov (spolo\u010dnosti), pou\u017e\u00edva\u0165 pritom aj priame nar\u00e1\u017eky na s\u00fa\u010dasn\u00fdch politikov vznikol len ve\u013emi zjednodu\u0161en\u00fd, povrchn\u00fd text bez hlb\u0161\u00edch v\u00fdznamov\u00fdch rov\u00edn. Z divadelnej hist\u00f3rie s\u00edce pozn\u00e1me nespo\u010detn\u00e9 mno\u017estvo pr\u00edpadov, ke\u010f hodnotn\u00e1 inscen\u00e1cia vznikla z\u00a0problematick\u00fdch a\u017e vylo\u017eene zl\u00fdch textov, spom\u00ednan\u00e1 pr\u00e1ca jedn\u00e9ho z popredn\u00fdch s\u00fa\u010dasn\u00fdch \u010desk\u00fdch re\u017eis\u00e9rov v\u0161ak nepatr\u00ed k t\u00fdmto pr\u00edpadom. Expres\u00edvne sc\u00e9ny a neust\u00e1le atakovanie div\u00e1kov p\u00f4sobilo dojmom povrchn\u00fdch, niekedy a\u017e tr\u00e1pnych efektov, zost\u00e1valo na \u00farovni vonkaj\u0161\u00edch, nie intelektu\u00e1lnych, umeleck\u00fdch provok\u00e1ci\u00ed.<\/p>\n<p>Jan Mikul\u00e1\u0161ek bol jedin\u00fdm \u010dinohern\u00fdm re\u017eis\u00e9rom, ktor\u00fd mal na festivale dve inscen\u00e1cie. V spolupr\u00e1ci s dramaturgom Martinom Sl\u00e1de\u010dkom vytvoril adapt\u00e1ciu pr\u00edbehu\u00a0<em>Dona Quijota<\/em>, ktor\u00fa inscenoval so s\u00faborom brnianskeho Divadla Husa na prov\u00e1zku. Zasadenie klasick\u00e9ho pr\u00edbehu do s\u00fa\u010dasnosti, do \u00a0prostredia telev\u00edzneho programu \u0161t\u00fadiovej debaty, p\u00f4sobilo v tomto pr\u00edpade a\u017e do surre\u00e1lneho konca celkom koherentne a s kvalitn\u00fdmi hereck\u00fdmi v\u00fdkonmi vytvorilo zauj\u00edmav\u00fa divadeln\u00fa udalos\u0165. Kvalitn\u00e9 hereck\u00e9 v\u00fdkony dominovali aj v predstaven\u00ed brnianskeho HaDivadla (Werner Schwab:\u00a0<em>Prezidentky<\/em>, r\u00e9\u017eia Kamila Pol\u00edvkov\u00e1). Z \u010desk\u00fdch \u010dinohern\u00fdch inscen\u00e1ci\u00ed na tohoro\u010dnom plzenskom festivale boli pre m\u0148a najzauj\u00edmavej\u0161ie, esteticky aj my\u0161lienkovo najpodnetnej\u0161ie predstavenia Divadla Petra Bezru\u010de z Ostravy (Tom\u00e1\u0161 Dvo\u0159\u00e1k:\u00a0<em>Transky, body, sekundy<\/em>, r\u00e9\u017eia Tom\u00e1\u0161 Dvo\u0159\u00e1k) a Divadeln\u00edho spolku JEDL z Prahy (Z\u00e1hradn\u00ed\u010dek:\u00a0<em>V\u0161e m\u00e9 je tv\u00e9<\/em>, r\u00e9\u017eia Jan Nebesk\u00fd). V ostravskej inscen\u00e1cii banskobystrick\u00fd rod\u00e1k, mlad\u00fd, talentovan\u00fd herec, tvorca autorsk\u00fdch divadeln\u00fdch predstaven\u00ed Tom\u00e1\u0161 Diani\u0161ka spracoval pr\u00edbeh \u010deskej be\u017ekyne, ktor\u00e1 koncom tridsiatych rokov vyhr\u00e1vala s\u00fa\u0165a\u017ee, vytv\u00e1rala rekordy, nakoniec sa v\u0161ak zistilo, \u017ee je geneticky mu\u017eom, a tak museli by\u0165 jej v\u00fdsledky vymazan\u00e9 zo \u0161portovej hist\u00f3rie. Tom\u00e1\u0161 Diani\u0161ka ako autor divadeln\u00e9ho n\u00e1metu citlivo zobrazuje nielen osobn\u00fd pr\u00edbeh \u010dloveka-\u0161portovca, ale aj spolo\u010densko-politick\u00e9 nap\u00e4tie v spolo\u010dnosti v obdob\u00ed nastupuj\u00faceho fa\u0161izmu. Inscen\u00e1cia patr\u00ed k tomu najlep\u0161iemu, \u010do v roku 2019 v \u010deskom \u010dinohernom divadle vzniklo. Sved\u010d\u00ed o tom aj fakt, \u017ee z\u00edskala Cenu divadelnej kritiky za rok 2019 v kateg\u00f3rii inscen\u00e1cia roka, a predstavite\u013e hlavnej postavy Jakub Bur\u00fd\u0161ek cenu Talent roka. Ve\u013ek\u00fd m\u00e1g \u010deskej divadelnej r\u00e9\u017eie Jan Nebesk\u00fd v r\u00e1mci nez\u00e1vislej divadelnej spolo\u010dnosti JEDL, ktor\u00fa vytvoril so svojimi priate\u013emi, Davidom Pracha\u0159om a Luciou Trm\u00edkovou, ako platformu pre nez\u00e1visl\u00e9 autorsk\u00e9 divadlo, zinscenoval \u017eivotn\u00fd pr\u00edbeh b\u00e1snika Jana Zahradn\u00ed\u010dka, obete komunistick\u00e9ho syst\u00e9mu. Nebesk\u00fd s Trm\u00edkovou vytvorili scen\u00e1r zo Zahradn\u00ed\u010dkov\u00fdch listov, ktor\u00e9 p\u00edsal svojej \u017eene z v\u00e4zenia. Vznikla z nich inscen\u00e1cia, ktor\u00e1 div\u00e1ka dojme osobnou trag\u00e9diou indiv\u00eddua (b\u00e1snika a jeho \u017eeny), a zhroz\u00ed ne\u013eudskos\u0165ou obludn\u00e9ho dikt\u00e1torsk\u00e9ho syst\u00e9mu. Citliv\u00e1, minuci\u00f3zna re\u017eijn\u00e1 pr\u00e1ca sa v nej sp\u00e1ja so \u0161pi\u010dkov\u00fdmi hereck\u00fdmi v\u00fdkonmi (Sa\u0161a Ra\u0161ilov a Lucie Trm\u00edkov\u00e1).<\/p>\n<p>Na festivale Divadlo m\u00e1me v\u017edy mo\u017enos\u0165 vidie\u0165 aj predstavenia \u010desk\u00fdch b\u00e1bkov\u00fdch divadiel, ktor\u00e9 b\u00fdvaj\u00fa pr\u00edjemn\u00fdm spestren\u00edm programu. Aj tento rok patrili dve z nich medzi \u00a0najpr\u00edjemnej\u0161ie z\u00e1\u017eitky festivalu. Naivn\u00ed divadlo z Liberca sa predstavilo inscen\u00e1ciou hry V\u00edta Pe\u0159inu:\u00a0<em>O hodin\u011b nav\u00edc aneb Potlach v hustn\u00edku<\/em>\u00a0v r\u00e9\u017eii Tom\u00e1\u0161a Dvo\u0159\u00e1ka a dom\u00e1ce, plzensk\u00e9 Divadlo Alfa vlastnou verziou zn\u00e1meho pr\u00edbehu hrdinu, ochrancu spravodlivosti pod n\u00e1zvom\u00a0<em>Pozor, Zorro<\/em>. Hodnoty klasick\u00e9ho b\u00e1bkov\u00e9ho divadla, tradi\u010dn\u00fd \u010desk\u00fd humor, v\u0161estrannos\u0165 \u00fa\u010dinkuj\u00facich (medzi nimi Andrea Ballayov\u00e1, b\u00e1bkohere\u010dka poch\u00e1dzaj\u00faca zo Slovenska), ktor\u00ed pod\u00e1vali obdivuhodn\u00e9 b\u00e1bkohereck\u00e9, ale aj hereck\u00e9 a muzikantsk\u00e9 v\u00fdkony a vtipn\u00e9 rozpr\u00e1vkov\u00e9 scen\u00e1re, ktor\u00e9 sa \u00faspe\u0161ne vyh\u00fdbali n\u00e1silnej didaktickosti, zabezpe\u010dili pr\u00edjemn\u00fa z\u00e1bavu aj hlbok\u00fd umeleck\u00fd z\u00e1\u017eitok tak pre deti, ako aj pre dospel\u00fdch, tak pre \u201eoby\u010dajn\u00fdch div\u00e1kov\u201c, ako aj divadeln\u00fdch \u201efajn\u0161mekrov\u201c.<\/p>\n<p>Organiz\u00e1torom patr\u00ed hlbok\u00e1 v\u010faka aj n\u00e1\u0161 obdiv, \u017ee v tejto neistej situ\u00e1cii dok\u00e1zali Festival usporiada\u0165, pote\u0161ili s t\u00fdm v\u0161etk\u00fdch \u2013 \u00fa\u010dinkuj\u00face s\u00fabory, odborn\u00fa verejnos\u0165 aj miestnych div\u00e1kov. Po nieko\u013ekomesa\u010dnom \u201ekult\u00farnom p\u00f4ste\u201c to bol pre v\u0161etk\u00fdch \u201ebalzam na du\u0161u\u201c.<\/p>\n<p>&nbsp;<\/p>\n<p>G\u00e9za Hizsnyan<\/p>\n<p class=\"lead\">\n<p><em>Cestu autora spolufinancoval z\u00a0verejn\u00fdch zdrojov Fond na podporu umenia v\u00a0r\u00e1mci projektu medzin\u00e1rodn\u00fdch mobil\u00edt Slovensk\u00e9ho centra AICT.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Organiz\u00e1tori 28. ro\u010dn\u00edka medzin\u00e1rodn\u00e9ho festivalu Divadlo v Plzni e\u0161te v [&hellip;]<\/p>\n","protected":false},"author":233,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[108],"tags":[],"class_list":["post-4187","post","type-post","status-publish","format-standard","hentry","category-aktuality"],"_links":{"self":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/users\/233"}],"replies":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4187"}],"version-history":[{"count":1,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4187\/revisions"}],"predecessor-version":[{"id":4188,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/4187\/revisions\/4188"}],"wp:attachment":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}