{"id":4182,"date":"2021-11-04T12:58:06","date_gmt":"2021-11-04T11:58:06","guid":{"rendered":"https:\/\/monitoring.patlevic.sk\/?p=4182"},"modified":"2023-01-27T09:35:12","modified_gmt":"2023-01-27T08:35:12","slug":"hudobne-o-divadelnom-festivale","status":"publish","type":"post","link":"https:\/\/monitoring.patlevic.sk\/?p=4182","title":{"rendered":"Hudobne o divadelnom festivale"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#e2e2e2;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><div class=\"news-text-wrap\">\n<p>V polovici septembra sa v Plzni bez v\u00fdraznej\u0161\u00edch obmedzen\u00ed a za ve\u013ek\u00e9ho div\u00e1ckeho z\u00e1ujmu uskuto\u010dnil 29. ro\u010dn\u00edk medzin\u00e1rodn\u00e9ho festivalu\u00a0Divadlo. Svoje dojmy z festivalu nap\u00edsala pre \u010dasopis Hudobn\u00fd \u017eivot\u00a0kriti\u010dka Michaela\u00a0Moj\u017ei\u0161ov\u00e1. Ako \u010falej p\u00ed\u0161e, jej\u00a0amb\u00edciou bolo zachyti\u0165 toto\u00a0dramaturgicky\u00a0pestr\u00e9, no preva\u017ene \u010dinohern\u00e9 koncipovan\u00e9 podujatie z poz\u00edcie hudobnej kriticky, pri\u010dom potenci\u00e1l zvolen\u00e9ho uhla poh\u013eadu ju pr\u00edjemne prekvapil: vo v\u00e4\u010d\u0161ine \u0148ou nav\u0161t\u00edven\u00fdch produkci\u00ed hrala hudba d\u00f4le\u017eit\u00fa rolu.<\/p>\n<p>V \u010dl\u00e1nku sa venuje napr\u00edklad sc\u00e9nickej adapt\u00e1cii rom\u00e1nu Winfrieda Georga Sebalda Austerl\u00edtz (2001), ktor\u00fa v\u00a0Divadle\u00a0mlad\u00fdch v litovskom Vilniuse realizoval sl\u00e1vny po\u013esk\u00fd\u00a0re\u017eis\u00e9r\u00a0Krystian Lupa, a v ktorej hudba Arturasa Bum\u0161teinasa funguje raz ako zvukovo znepokojuj\u00faci sprievodca\u00a0zatemnen\u00fdmi\u00a0z\u00e1kutiami\u00a0Austerlitzovej\u00a0pam\u00e4ti, inokedy\u00a0privanie\u00a0spomienku na zriedkav\u00e9 pr\u00edjemn\u00e9 chv\u00edle (\u0161ans\u00f3n Edith Piafovej), no predov\u0161etk\u00fdm je hrdinov\u00fdm alter egom. \u201eS\u00fa neskor\u00e9\u00a0Schuman\u0148ove\u00a0skladby plodom depresie alebo jej zneu\u017eit\u00edm?&#8220; P\u00fdta sa Austerlitzova milenka, zatia\u013e \u010do vlna cliv\u00fdch t\u00f3nov zalieva sc\u00e9nu, z ktorej sa asoci\u00e1lne uzavret\u00fd mu\u017e odmieta vr\u00e1ti\u0165 k norm\u00e1lnemu \u017eivotu. Rovnako majstrovsky ako s hudbou pracuj\u00fa inscen\u00e1tori s tichom, vyvol\u00e1vaj\u00facim\u00a0sties\u0148uj\u00faci\u00a0pocit existenci\u00e1lnej pr\u00e1zdnoty.<\/p>\n<p>Moj\u017ei\u0161ov\u00e1 si v\u0161\u00edma, \u017ee in\u00fa, no podobne d\u00f4le\u017eit\u00fa \u00falohu zohr\u00e1va hudba (pod jej v\u00fdberom je podp\u00edsan\u00fd\u00a0re\u017eis\u00e9r\u00a0inscen\u00e1cie\u00a0Luk\u00e1\u0161 Brutovsk\u00fd) v\u00a0inscen\u00e1cii\u00a0Slovensk\u00e9ho komorn\u00e9ho\u00a0divadla\u00a0Martin Dl (pracovn\u00fd n\u00e1zov). Form\u00e1lne origin\u00e1lna, ostro satirick\u00e1 a z\u00e1rove\u0148 podmanivo poetick\u00e1 \u201emedit\u00e1cia&#8220; na t\u00e9mu nekone\u010dne sa \u0165ahaj\u00facej dostavby dia\u013enice medzi Bratislavou a Ko\u0161icami bohato vyu\u017e\u00edva autentick\u00fd folkl\u00f3r (tr\u00e1vnice v podan\u00ed Dariny La\u0161\u010diakovej) i jeho metamorf\u00f3zy v monument\u00e1lnych opusoch slovensk\u00fdch klasikov Zeljenka, Sucho\u0148), zv\u00fdraz\u0148uj\u00fac tak m\u00fdticko-ritu\u00e1lnu rovinu\u00a0inscen\u00e1cie.<\/p>\n<p>Viac si pre\u010d\u00edtate v sekcii Zahrani\u010die Hudobn\u00e9ho \u017eivota z\u00a018.10.2021 (s. 12,13; ro\u010d. 53).<\/p>\n<p>Cestu autorky podporil z verejn\u00fdch zdrojov Fond na podporu umenia v r\u00e1mci projektu medzin\u00e1rodn\u00fdch mobil\u00edt Slovensk\u00e9ho centra AICT.<\/p>\n<p>Foto:<\/p>\n<p>C. Monteverdi, T. Hanzl\u00edk, V. Zouhar: \u013dArianna (foto: mfd Plze\u0148)<\/p>\n<\/div>\n<div id=\"c456\">\n<div class=\"image-center image-below\">\n<div class=\"text\"><\/div>\n<div class=\"image-wrap\">\n<div class=\"image-center-outer\">\n<div class=\"image-center-inner\">\n<div class=\"image-row\">\n<div class=\"image-column col-md-6\"><\/div>\n<div class=\"image-column col-md-6\">\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-4182 gallery-columns-2 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a 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