{"id":2018,"date":"2020-10-10T14:29:18","date_gmt":"2020-10-10T12:29:18","guid":{"rendered":"http:\/\/localhost\/testdb\/?p=2018"},"modified":"2023-01-26T10:44:26","modified_gmt":"2023-01-26T09:44:26","slug":"bratislava-salzburg-bregenz-a-naspat","status":"publish","type":"post","link":"https:\/\/monitoring.patlevic.sk\/?p=2018","title":{"rendered":"Bratislava \u2013 Salzburg \u2013 Bregenz a nasp\u00e4\u0165"},"content":{"rendered":"<p>\u201e<em>Festivalov\u00e9 centrum stoj\u00ed v\u00a0Bregenzi na brehu Bodamsk\u00e9ho jazera. Javisko, ktor\u00e9 je efektne vystavan\u00e9 efektne na vodnej hladine, zostalo tento rok bez div\u00e1kov. Obrovsk\u00e1 hlava klauna, ktor\u00e1 tvor\u00ed z\u00e1klad sc\u00e9nografie Rigoletta, sa mohla smia\u0165 pl\u00e1nom organiz\u00e1torov, milovn\u00edci tohto titulu si musia po\u010dka\u0165 do \u010fal\u0161ieho leta. Premi\u00e9ra opery \u013dubice \u010cekovskej Impresario Dotcom mala to \u0161\u0165astie, \u017ee nebola zru\u0161en\u00e1 nebola, len bola o\u00a0mesiac posunut\u00e1. Dokonca sa dostala na ve\u013ek\u00fa sc\u00e9nu tamoj\u0161ieho Festivalov\u00e9ho domu, ktor\u00fd je zn\u00e1my t\u00fdm, \u017ee uv\u00e1dza m\u00e1lo hran\u00e9 tituly<\/em>,\u201c p\u00ed\u0161e Zuzana Uli\u010dianska v\u00a0\u010dl\u00e1nku\u00a0<em>Zvony smrti a\u00a0zvody impres\u00e1ria<\/em>, ktor\u00fd vy\u0161iel\u00a0 okt\u00f3brovom \u010d\u00edsle \u010dasopisu\u00a0<em>k\u00f3d \u2013 konkr\u00e9tne o\u00a0divadle.<\/em><br \/>\nAko \u010falej autorka vysvet\u013euje, toto rozhodnutie bolo sk\u00f4r technick\u00e9, vo ve\u013ekej s\u00e1le sa dali \u013eah\u0161ie dodr\u017ea\u0165 bezpe\u010dnostn\u00e9 pravidl\u00e1. O\u00a0presaden\u00ed titulu aj v\u00a0ne\u013eahk\u00fdch \u010dasoch do ve\u013ekej miery rozhodli samotn\u00ed zanieten\u00ed tvorcovia.\u00a0<em>\u201eC\u00edtili sme, \u017ee sme museli urobi\u0165 toto dielo a pr\u00e1ve teraz, v \u010dase korony,<\/em>\u201c vyjadril sa po predstaven\u00ed dramaturg diela aj festivalu Olaf Schmitt. T\u00e9mou opery je toti\u017e pre\u017eitie umenia, ale nie umenia za ka\u017ed\u00fa cenu.<br \/>\nAk sa v\u00a0librete opakuje veta \u201e<em>Spievanie je ot\u00e1zka \u017eivota \u010di smrti<\/em>\u201c, a\u00a0to dokonca\u00a0 r\u00f4znych jazykoch, ide o\u00a0ironick\u00fa hru slov. Bav\u00edme sa tu o\u00a0vn\u00fatornom\u00a0poslan\u00ed umelcov alebo o\u00a0ich materi\u00e1lnom pre\u017eit\u00ed v\u00a0\u010dase kr\u00edzy?<br \/>\n\u010cl\u00e1nok spom\u00edna aj kr\u00e1tke zastavenie autorky na premi\u00e9re projektu\u00a0<em>Everywoman\u00a0<\/em>re\u017eis\u00e9ra Mila Rausa a\u00a0here\u010dky Ursiny Lardi v\u00a0r\u00e1mci festivalu v\u00a0Salzburgu.<br \/>\nViac o\u00a0oboch rak\u00faskych festivaloch sa m\u00f4\u017eete dozvedie\u0165 z\u00a0cyklu rozhovorov Jaroslavy Vitovi\u010dovej s\u00a0dom\u00e1cimi i\u00a0zahrani\u010dn\u00fdmi tvorcami, ale aj s\u00a0opern\u00fdm odborn\u00edkom Stanislavom Trnovsk\u00fdm a kriti\u010dkou Zuzanou Uli\u010dianskou, ktor\u00e9 odvysielalo r\u00e1dio Dev\u00edn v\u00a0cykle venovanom storo\u010dnici najstar\u0161ieho festivalu v\u00a0Eur\u00f3pe.<br \/>\n<a href=\"https:\/\/devin.rtvs.sk\/clanky\/temy\/233117\/cyklus-100-rokov-festivalu-v-salzburgu\" target=\"_blank\" rel=\"noopener\">devin.rtvs.sk\/clanky\/temy\/233117\/cyklus-100-rokov-festivalu-v-salzburgu<\/a><br \/>\n<em>Cestu Zuzany Uli\u010dianska a\u00a0Stanislava Trnovsk\u00e9ho spolufinancoval z verejn\u00fdch zdrojov Fond na podporu umenia v r\u00e1mci projektu medzin\u00e1rodn\u00fdch mobil\u00edt Slovensk\u00e9ho centra AICT.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201eFestivalov\u00e9 centrum stoj\u00ed v Bregenzi na brehu Bodamsk\u00e9ho jazera. Javisko, ktor\u00e9 je efektne vystavan\u00e9 efektne na vodnej hladine, zostalo tento rok bez div\u00e1kov. Obrovsk\u00e1 hlava klauna, ktor\u00e1 tvor\u00ed z\u00e1klad sc\u00e9nografie Rigoletta, sa mohla smia\u0165 pl\u00e1nom organiz\u00e1torov, milovn\u00edci tohto titulu si musia po\u010dka\u0165 do \u010fal\u0161ieho leta. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[115],"tags":[],"class_list":["post-2018","post","type-post","status-publish","format-standard","hentry","category-zahranicne-aktivity"],"_links":{"self":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/2018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2018"}],"version-history":[{"count":1,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/2018\/revisions"}],"predecessor-version":[{"id":2145,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/2018\/revisions\/2145"}],"wp:attachment":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}