{"id":2008,"date":"2020-01-17T14:24:24","date_gmt":"2020-01-17T13:24:24","guid":{"rendered":"http:\/\/localhost\/testdb\/?p=2008"},"modified":"2023-01-27T08:21:23","modified_gmt":"2023-01-27T07:21:23","slug":"vyzva-na-predkladanie-abstraktov-prispevkov-do-31-januara-2","status":"publish","type":"post","link":"https:\/\/monitoring.patlevic.sk\/?p=2008","title":{"rendered":"V\u00fdzva na predkladanie abstraktov pr\u00edspevkov do 31. janu\u00e1ra!"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#e2e2e2;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><p><strong>Medzin\u00e1rodn\u00e1 konferencia organizovan\u00e1<\/strong><strong>\u00a0v\u00a0r\u00e1mci 30. Svetov\u00e9ho kongresu AICT\/IATC 14. m\u00e1ja 2020<\/strong><strong>\u00a0Bratislava, Slovensko<\/strong><\/p>\n<p><strong>Recykl\u00e1cia v performat\u00edvnych umeniach: od kreativity ku komercializ\u00e1cii<\/strong><br \/>\nMedzin\u00e1rodn\u00e1 asoci\u00e1cia divadeln\u00fdch kritikov AICT\/IATC vyz\u00fdva \u00a0na predkladanie abstraktov pr\u00edspevkov na konferenciu, ktor\u00e1 sa bude kona\u0165 v\u00a0r\u00e1mci 30. Svetov\u00e9ho kongresu AICT\/IATC v\u00a0Bratislave v\u00a0spolupr\u00e1ci s\u00a0Divadeln\u00fdm \u00fastavom.<\/p>\n<p>Pre\u010do pr\u00e1ve recykl\u00e1cia?<\/p>\n<p>Recykl\u00e1cia je vo v\u0161eobecnosti proces premeny odpadu na op\u00e4tovne pou\u017eite\u013en\u00fd materi\u00e1l. Metafora recykl\u00e1cie sa v\u0161ak d\u00e1 aplikova\u0165 na sc\u00e9nick\u00e9 umenie v mnoh\u00fdch kontextoch. Na recykl\u00e1ciu je v\u00a0skuto\u010dnosti mo\u017en\u00e9 pozera\u0165 sa ako na nevyhnutn\u00fa estetick\u00fa kvalitu divadla a performat\u00edvnych umen\u00ed v\u0161eobecne. Napriek predpokladanej replik\u00e1cii v\u00fdkonu z jedn\u00e9ho ve\u010dera na druh\u00fd, recyklovan\u00fd kult\u00farny produkt neust\u00e1le dop\u013a\u0148a a vklad\u00e1 paradoxn\u00fa iskru \u201enov\u00e9ho\u201c popri \u201erecyklovanom\u201c. V\u00a0tomto zmysle by sa dalo poveda\u0165, \u017ee divadlo sa samo neust\u00e1le regeneruje.<br \/>\nHistoricky doch\u00e1dza k prirodzenej recykl\u00e1cii zalo\u017eenej na v\u00fdvoji \u017e\u00e1nrov a \u0161t\u00fdlov. Klasick\u00e9 gr\u00e9cke trag\u00e9die recyklovali m\u00fdty o ich kult\u00fare. Rimania nesk\u00f4r recyklovali gr\u00e9cke trag\u00e9die a kom\u00e9die. T\u00fato trajekt\u00f3riu nasledovali aj diela talianskej renesancie a franc\u00fazskeho klasicizmu. Dokonca aj William Shakespeare bol majstrom recykl\u00e1cie r\u00f4znych materi\u00e1lov: hist\u00f3ria Anglicka, stredovek\u00e9 legendy, gr\u00e9cke m\u00fdty at\u010f.<br \/>\nAko sa od konca 19. storo\u010dia za\u010dala pozornos\u0165 s\u00fastre\u010fova\u0165 na re\u017eis\u00e9ra, ka\u017ed\u00e1 nov\u00e1 interpret\u00e1cia klasick\u00e9ho diela obsahuje v\u00a0sebe aj recykl\u00e1ciu narat\u00edvov.<br \/>\nV kontexte na\u0161ej konferencie sa sna\u017e\u00edme vyzdvihn\u00fa\u0165 s\u00fa\u010dasn\u00e9 postupy t\u00fdkaj\u00face sa konceptu \u201erecykl\u00e1cie\u201c v divadle a divadelnom umen\u00ed.<br \/>\nKonferencia bude sk\u00fama\u0165 tri hlavn\u00e9 paradigmy:<br \/>\n<strong>1. Umeleck\u00fd pr\u00edstup:<\/strong><br \/>\nS\u00fa\u010dasn\u00e9 divadlo ve\u013ea zdedilo po postmodernom divadle v 70. a 80. rokoch 20. storo\u010dia. Postdramatick\u00e9 divadlo je tie\u017e ovplyv\u0148ovan\u00e9 postmodern\u00fdm divadlom, ako je pou\u017eitie kol\u00e1\u017ee, mont\u00e1\u017ee, intertextu\u00e1lnych spojen\u00ed, interkult\u00farnych spr\u00e1v a popkult\u00farnych cit\u00e1tov (napr\u00edklad s\u00fa\u010dasn\u00e1 nemeck\u00e1 r\u00e9\u017eia). Dokonca aj v dramatickom p\u00edsan\u00ed sme svedkami praktiky \u201eprepisovania\u201c star\u00fdch pr\u00edbehov, ktor\u00e9 sa premietaj\u00fa do nov\u00fdch soci\u00e1lnych kontextov, komentuj\u00fa tradi\u010dn\u00e9 pr\u00edbehy a vyu\u017e\u00edvaj\u00fa zn\u00e1me archetypy. \u017dije divadlo dnes vo \u201eve\u010dnom postmodernom \u010dase\u201c? Je my\u0161lienka novosti straten\u00e1 nav\u017edy? Ak\u00e9 s\u00fa umeleck\u00e9 hodnoty tohto druhu recykl\u00e1cie na jednej strane a v\u00fdzvy\/obmedzenia na strane druhej?<br \/>\n<strong>2. Kult\u00farny priemysel:<\/strong><br \/>\nRecykl\u00e1cia m\u00f4\u017ee s\u00favisie\u0165 aj s komercializ\u00e1ciou. Divadeln\u00ed tvorcovia vo v\u00fdraznej miere vyu\u017e\u00edvaj\u00fa divadeln\u00e9 a nedivadeln\u00e9 materi\u00e1ly, ako napr\u00edklad adapt\u00e1cie sl\u00e1vnych rom\u00e1nov s \u013eahko rozpoznate\u013en\u00fdmi hrdinami, prepisy popul\u00e1rnych filmov, historick\u00e9 udalosti, \u017eivotopisy zn\u00e1mych osobnost\u00ed na komer\u010dn\u00e9 \u00fa\u010dely. M\u00f4\u017ee s\u00fa\u010dasn\u00e9 divadlo odol\u00e1va\u0165 poku\u0161eniu nekone\u010dne recyklovan\u00fdch zn\u00e1mych prvkov? A malo by? Festivalov\u00e1 kult\u00fara a trh pre medzin\u00e1rodn\u00e9 koprodukcie h\u013eadaj\u00fa \u201eve\u013ek\u00e9 men\u00e1\u201c, ktor\u00e9 in\u0161piruj\u00fa ur\u010dit\u00e9 \u201etypy\u201c predstaven\u00ed, ktor\u00e9 potom cestuj\u00fa po celom svete. Ak\u00e9 s\u00fa tlaky a nev\u00fdhody, ktor\u00e9 sa objavuj\u00fa v tak\u00fdchto scen\u00e1roch? Ako festivaly \u00famyselne alebo ne\u00famyselne diktuj\u00fa pr\u00e1cu, ktor\u00e1 je produkovan\u00e1 a prezentovan\u00e1? Peniaze s\u00fa potrebn\u00e9 a m\u00f4\u017eu by\u0165 u\u017eito\u010dn\u00e9, ale ak\u00fd je pokles, ke\u010f je m\u00fazick\u00e9 umenie jedine\u010dne poh\u00e1\u0148an\u00e9 po\u017eiadavkami kapit\u00e1lu a trhu?<br \/>\n<strong>3. Ekologick\u00e9 divadlo:<\/strong><br \/>\nV neposlednom rade ide o recykl\u00e1ciu v jej najobecnej\u0161om kontexte. Ke\u010f sa na\u0161a plan\u00e9ta otep\u013euje, m\u00f4\u017ee divadeln\u00e9 umenie prispie\u0165 k zn\u00ed\u017eeniu uhl\u00edkovej stopy? Ak\u00e9 experimenty s\u00fa mo\u017en\u00e9 v\u00a0produkci\u00e1ch, ktor\u00e9 s\u00fa environment\u00e1lne uvedomel\u00e9 a\u00a0zbaven\u00e9 nadbyto\u010dnost\u00ed? Ak\u00e9 verzie \u201echudobn\u00e9ho divadla\u201c existuj\u00fa? M\u00f4\u017eu tieto divadl\u00e1 rovnako zarezonova\u0165, ke\u010f menej je niekedy aj viac?<br \/>\nVyz\u00fdvame V\u00e1s na prihlasovanie \u0161t\u00fadi\u00ed a\u00a0prezent\u00e1ci\u00ed na vy\u0161\u0161ie uveden\u00e9 t\u00e9my. Odpor\u00fa\u010dame v\u00e1m vytvori\u0165 prezent\u00e1cie vyu\u017e\u00edvaj\u00face vide\u00e1 a\u00a0obrazov\u00e9 materi\u00e1ly.<br \/>\nKonferencia sa bude kona\u0165 v anglickom a franc\u00fazskom jazyku s prekladom do sloven\u010diny.<br \/>\nD\u013a\u017eka pr\u00edspevku \/ prezent\u00e1cie:\u00a0<strong>15 min\u00fat<\/strong>.<br \/>\nTerm\u00edn na zasielanie abstraktov (nie viac ako 250 slov):\u00a0<strong>31. janu\u00e1ra 2020<\/strong>.<br \/>\nVybran\u00ed \u00fa\u010dastn\u00edci bud\u00fa informovan\u00ed do\u00a0<strong>20. febru\u00e1ra 2020<\/strong>. \u00da\u010dastn\u00edci musia ma\u0165 mo\u017enos\u0165 pricestova\u0165 do Bratislavy.<br \/>\nPr\u00edspevky a\u00a0dotazy zasielajte na v\u0161etky ni\u017e\u0161ie uveden\u00e9 e-mailov\u00e9 adresy:<br \/>\nIvan Medenica, riadite\u013e konferenci\u00ed, IATC\/IATC<br \/>\nivan.medenica@gmail.com<br \/>\nDeepa Punjani, zodpovedn\u00e1 za konferencie, IATC\/AICT<br \/>\ndeepa.punjani@gmail.com<br \/>\nSavas Patsalidis, \u0161\u00e9fredaktor, Critical stages\/Sc\u00e9nes Critiques., IATC\/IATC:<br \/>\nsavas.patsalidis@gmail.com<br \/>\nZuzana Uli\u010dianska, \u010dlenka v\u00fdkonn\u00e9ho v\u00fdboru IATC\/AICT<br \/>\nzuzana.ulicianska@gmail.com<br \/>\nVybran\u00e9 pr\u00edspevky bud\u00fa uverejnen\u00e9 v sekcii \u201eKonferen\u010dn\u00e9 pr\u00edspevky\u201c v\u00a0\u010dasopise Critical Stages\/Sc\u00e9nes Critiques.<br \/>\nV\u00fdber pr\u00edspevkov m\u00f4\u017ee by\u0165 zaraden\u00fd do zborn\u00edka 2021\u201322, ktor\u00fd pl\u00e1nuje vyda\u0165 Divadeln\u00fd \u00fastav v Bratislave.<\/p>\n<p>V\u00fdzvu n\u00e1jdete aj na:<br \/>\n<a href=\"https:\/\/aict-iatc.org\/en\/\" target=\"_blank\" rel=\"noopener\">aict-iatc.org\/en\/<\/a><\/p>\n<p>Te\u0161\u00edme sa na Va\u0161e pr\u00edspevky.<br \/>\nPrelo\u017eila Zuzana Spodniakov\u00e1.<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item 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https:\/\/monitoring.patlevic.sk\/wp-content\/uploads\/2020\/01\/Baner_1024x683px.jpg 1024w\" data-sizes=\"auto\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-0{width:100% !important;margin-top : 0px;margin-bottom : 0px;}.fusion-builder-column-0 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-0{width:100% !important;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-0{width:100% !important;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Medzin\u00e1rodn\u00e1 asoci\u00e1cia divadeln\u00fdch kritikov AICT\/IATC vyz\u00fdva  na predkladanie abstraktov pr\u00edspevkov na konferenciu, ktor\u00e1 sa bude kona\u0165 v r\u00e1mci 30. Svetov\u00e9ho kongresu AICT\/IATC v Bratislave v spolupr\u00e1ci s Divadeln\u00fdm \u00fastavom.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[108],"tags":[],"class_list":["post-2008","post","type-post","status-publish","format-standard","hentry","category-aktuality"],"_links":{"self":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/2008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2008"}],"version-history":[{"count":4,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/2008\/revisions"}],"predecessor-version":[{"id":4391,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/2008\/revisions\/4391"}],"wp:attachment":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2008"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2008"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}