{"id":1962,"date":"2016-06-20T13:56:56","date_gmt":"2016-06-20T11:56:56","guid":{"rendered":"http:\/\/localhost\/testdb\/?p=1962"},"modified":"2023-01-23T17:04:42","modified_gmt":"2023-01-23T16:04:42","slug":"monitoring-divadiel-je-v-roku-2016-pozastaveny","status":"publish","type":"post","link":"https:\/\/monitoring.patlevic.sk\/?p=1962","title":{"rendered":"Monitoring divadiel je v roku 2016 pozastaven\u00fd"},"content":{"rendered":"<p><strong>Jedine\u010dn\u00fd projekt Monitoring divadiel na Slovensku nez\u00edskal pre rok 2016 podporu od Fondu na podporu umenia. Preto po\u010das tohto kalend\u00e1rneho roka nem\u00f4\u017eeme zabezpe\u010di\u0165 vznik recenzi\u00ed.<\/strong><br \/>\nDo hodnotenia divadeln\u00fdch inscen\u00e1ci\u00ed v\u0161etk\u00fdch druhov a \u017e\u00e1nrov sa ka\u017edoro\u010dne zap\u00e1jali desiatky divadeln\u00fdch kritikov, publicistov i\u00a0\u0161tudentov divadelnej vedy z\u00a0cel\u00e9ho Slovenska. V\u00fdsledky ich systematickej pr\u00e1ce si mo\u017eno pozrie\u0165 na str\u00e1nke www.monitoringdivadiel.sk<br \/>\nZa dev\u00e4\u0165 rokov existencie tohto projektu sa Slovensk\u00e9mu\u00a0 centru AICT podarilo v\u00fdznamne o\u017eivi\u0165 reflexiu slovensk\u00e9ho divadla. Sna\u017eili sme venova\u0165 na\u0161u pozornos\u0165 predov\u0161etk\u00fdm hodnoteniam t\u00fdch inscen\u00e1ci\u00ed,\u00a0ktor\u00e9 s\u00fa z r\u00f4znych d\u00f4vodov men\u0161inov\u00e9, a preto maj\u00fa len minim\u00e1lnu \u0161ancu dosta\u0165 priestor v\u00a0komer\u010dn\u00fdch m\u00e9di\u00e1ch, ba \u010dasto ani v\u00a0odborn\u00fdch \u010dasopisoch.<br \/>\nV\u00a0r\u00e1mci projektu sme ka\u017edoro\u010dne pripravili cca 100 &#8211; 130 recenzi\u00ed, ktor\u00e9 prech\u00e1dzali jazykov\u00fdmi aj odborn\u00fdmi korekt\u00farami. Na na\u0161om webe sa daj\u00fa vyh\u013ead\u00e1va\u0165 pod\u013ea r\u00f4znych krit\u00e9ri\u00ed.\u00a0Recenzie z projektu sl\u00fa\u017eia nielen ako sp\u00e4tn\u00e1 v\u00e4zba pre tvorcov \u010di div\u00e1kov, ale u\u017e teraz ako arch\u00edvny dokument pre v\u00fdskumn\u00edkov divadla. Vzh\u013eadom na vysok\u00fa odborn\u00fa \u00farove\u0148 textov a z\u00e1rove\u0148 ich jednoduch\u00fa dostupnos\u0165 na internete maj\u00fa recenzie z projektu Monitoring mimoriadne vysok\u00fa citovanos\u0165, a to tak v analyticko-komparat\u00edvnych pr\u00e1cach vedeck\u00e9ho charakteru a v odborn\u00fdch monografi\u00e1ch, ako aj v diplomov\u00fdch, bakal\u00e1rskych \u010di ro\u010dn\u00edkov\u00fdch pr\u00e1cach \u0161tudentov umenovedn\u00fdch a humanitn\u00fdch discipl\u00edn. Aj to je jeden z d\u00f4kazov spolo\u010densk\u00e9ho dosahu dan\u00e9ho projektu.<br \/>\nPo cel\u00e9 roky jeho fungovania sme si v\u00e1\u017eili stabiln\u00fa podporu Ministerstva kult\u00fary SR, ktor\u00e1 n\u00e1m umo\u017enila systematicky sledova\u0165 aktu\u00e1lnu divadeln\u00fa tvorbu.\u00a0 Zdalo sa n\u00e1m, \u017ee ministerstvo kult\u00fary od za\u010diatku vn\u00edmalo tento projekt ako jeden z pilierov kult\u00farnej politiky v oblasti divadla.<br \/>\nProjekt reagoval na situ\u00e1ciu, ktor\u00e1 vznikla predov\u0161etk\u00fdm po roku 1998, ke\u010f z\u00a0n\u00e1plne pr\u00e1ce Divadeln\u00e9ho \u00fastavu (predch\u00e1dzaj\u00faci n\u00e1zov in\u0161tit\u00facie bol N\u00e1rodn\u00e9 divadeln\u00e9 centrum, predt\u00fdm \u00dastav umeleckej kritiky a\u00a0divadelnej dokument\u00e1cie) vypadla aktu\u00e1lna divadeln\u00e1 reflexia, ktor\u00fa v\u00a0predch\u00e1dzaj\u00facich obdobiach zastre\u0161ovalo pr\u00edslu\u0161n\u00e9 oddelenie tohto pracoviska. Distribuovanie danej \u010dinnosti na komer\u010dn\u00e9 m\u00e9dia sp\u00f4sobilo, \u017ee zna\u010dn\u00e1 \u010das\u0165 slovenskej divadelnej produkcie nebola nijako zhodnoten\u00e1. Ani dnes nem\u00e1 p\u00edsanie recenzi\u00ed na aktu\u00e1lne inscen\u00e1cie v pracovnej n\u00e1plni \u017eiadny pracovn\u00edk odborn\u00fdch divadeln\u00fdch in\u0161tit\u00faci\u00ed (Divadeln\u00fd \u00fastav, \u00dastav divadelnej a\u00a0filmovej vedy SAV a\u00a0pod.) a\u00a0dopyt po tomto kritick\u00fdch \u00fatvaroch v\u00a0komer\u010dn\u00fdch m\u00e9di\u00e1ch z\u00a0roka na rok kles\u00e1, denn\u00edkmi \u010di t\u00fd\u017edenn\u00edkmi s\u00fa navy\u0161e pokryt\u00e9 v\u00e4\u010d\u0161inou len v\u00e4\u010d\u0161ie bratislavsk\u00e9 produkcie. Boli sme si plne vedom\u00ed toho, \u017ee zru\u0161en\u00fd syst\u00e9m intern\u00fdch hodnoten\u00ed divadiel, ktor\u00e9 vypracov\u00e1vali teatrol\u00f3govia a teatrologi\u010dky zamestnan\u00e9 v\u00a0\u0161t\u00e1tnej in\u0161tit\u00facii, nebol z h\u013eadiska mo\u017enosti pr\u00edpadn\u00e9ho ideologick\u00e9ho \u010di politick\u00e9ho ovplyv\u0148ovania ide\u00e1lny. Preto sme nov\u00fd projekt vybudovali na platforme nez\u00e1visl\u00e9ho zdru\u017eenia.<br \/>\n\u017dia\u013e, tento rok sme od Fondu na podporu umenia nedostali pridelen\u00e9 \u017eiadne prostriedky, tak\u017ee v projekte, ktor\u00fd sme s ve\u013ek\u00fdm \u00faspechom prezentovali na medzin\u00e1rodn\u00fdch f\u00f3rach, vr\u00e1tane ostatn\u00e9ho kongresu AICT\/IATC v\u00a0Pekingu, nebudeme m\u00f4c\u0165 pokra\u010dova\u0165. Situ\u00e1cia v\u00a0podpore kritickej \u010dinnosti je o to hor\u0161ia, \u017ee bez akejko\u013evek dot\u00e1cie obi\u0161iel aj zaveden\u00fd a\u00a0re\u0161pektovan\u00fd webov\u00fd port\u00e1l\u00a0<a href=\"http:\/\/www.operaslovakia.sk\/\" target=\"_blank\" rel=\"noopener\">operaslovakia.sk<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jedine\u010dn\u00fd projekt Monitoring divadiel na Slovensku nez\u00edskal pre rok 2016 podporu od Fondu na podporu umenia. Preto po\u010das tohto kalend\u00e1rneho roka nem\u00f4\u017eeme zabezpe\u010di\u0165 vznik recenzi\u00ed.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[108],"tags":[],"class_list":["post-1962","post","type-post","status-publish","format-standard","hentry","category-aktuality"],"_links":{"self":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/1962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1962"}],"version-history":[{"count":1,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/1962\/revisions"}],"predecessor-version":[{"id":2165,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=\/wp\/v2\/posts\/1962\/revisions\/2165"}],"wp:attachment":[{"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monitoring.patlevic.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}